My wife, Cate, joined a fitness group. They support each other with words of encouragement, congratulations on achieving goals, and friendship on their quests to become healthier. I’ve watched my wife take on this fitness routine with a fierce determination that makes me proud of her. They also do check-ins through the Marco Polo video app. Cate listens to them throughout the day, whether it is while she is driving or eating or just sitting on the couch resting after a long day. Seeing how I’ve been in the vicinity of my wife on a few occasions when she listened or watched these videos, I have heard a few of them. These women seem to genuinely care about each other, which is something we don’t see a lot of these days.
On the first Saturday in April, Cate and I took a day trip to several state parks here in South Carolina. Before we visited any of the parks, we popped into an RC car shop in Monroe, North Carolina, then went and had what amounted to brunch at this little diner called The Village Grill. As we sat and ate (me eating a sausage, egg and cheese sandwich and she eating a salad), she mentioned one of the videos she recently watched. The woman’s name is Marcia and her check-in was kind of typical check-in fair, but the main part of it was about one word: Impossible.
Before I continue with my story, let me state that after Cate told me about it, I asked if I could listen to it. A couple days later, as we sat at the kitchen table (me working on the RC car I bought the Saturday before, and she watching Marco Polo videos), she asked if I wanted to see the one by Marcia, the one about the word Impossible.
“Of course,” I said.
She tapped the screen of her phone a couple of times, then turned it around for me to see. Though, I didn’t look at the video, I stopped what I was doing and listened.
Marcia mentioned how, at the beginning of the year, they were challenged with coming up with a word … a word for the year. It sounded like this word could be the one that defines their year. Or, maybe, it was a word of encouragement or something to strive for. Marcia liked the words some of the others came up with, but none of them was her word. None of them spoke to her.
Then, in one of her workout programs, the instructor mentioned the word Impossible. It clicked with her. It resonated with her, and I think it might resonate with you—it did with me.
Stick with me. This next bit is important.
Marcia mentioned how she is older (no, I’m not mentioning her age), and how she might have a little more weight on her bones than she thinks she should be carrying, and how she has bad knees. They were all things she could use to say she couldn’t do something, or maybe, something was Impossible for her to accomplish. It may not be exactly the same, but we all have things that we make excuses for why won’t try to do something. I don’t want to say it was an excuse for her, but I believe she alluded to it.
Ahh, but then the instructor said that word. Impossible. It hit her. The word Impossible is made up of two words: I’m Possible. By seeing it as I’m Possible, the concept of Impossible changed for her.
I’m Possible. Do you get that? Read it again:
Impossible … I’m Possible.
Marcia goes on to state, in a somewhat excited tone, that “I’m possible to be the wife I need to be to my husband, the mother I need to be to my children …” But the realization doesn’t end there. She can be so much more—the possibilities are limitless. This was a huge realization for her.
There is more to Impossible and I’m Possible than just breaking the word into two and putting an apostrophe in there. It’s a mindset. It’s about believing in yourself, in your abilities, in your determination. It’s not making excuses.
It’s about Can and Can’t. Possible and Impossible.
If you go into something with the word Can’t (or Impossible) on your lips or in your heart, then you’ve sabotaged yourself. You’ve already given up, but you don’t realize it, yet. Mentally, you’ve checked out and you might think you are putting a lot of effort into something, but you aren’t—at least not the effort you could put forth if you went in with the mindset of I Can. Can’t or Impossible truly limits you in what you will do.
When I was younger, I played a lot of sports. I was good, especially at basketball. Every time I stepped onto the court I felt like I was the best player out there. It didn’t matter if I was or wasn’t because, mentally, I believed I was. Believing in yourself is more than half the battle. I sized up my opponent before the game started, and in my head and in my heart, I always believed, “I’m going to own you.” I never went into a game thinking my opponent could beat me, that he was better than me.
It was a mindset. Just like Impossible and I’m Possible is a mindset. If you think it’s Impossible, it will be. If you think I’m Possible, YOU will be.
What Marcia did was look at things with new eyes. Instead of things being Impossible for her because she was a little older, maybe a little overweight, and had bad knees, she began seeing all things are possible if you believe.
I’m Possible is also about ownership. Ownership of who you are, what you do, and how you view life. It’s making no excuses. There are no I Can’ts with I’m Possible.
With that in mind, be possible. Not just possible, but be possible without limits. Believe in the term I’m Possible. Believe that you have the ability to do anything you want, and not just be who you are, but be who you want to be. Don’t say I can’t. Don’t give yourself a reason to not be possible. Be like Marcia.
Until we meet again, my friends, be kind to one another.
I want to tell you a story. Well, it’s not really a story, but a moment in life, a few minutes of a day that was pretty much like any other day, except for these few minutes. But aren’t these moments what stories are made of? Aren’t these moments the times that we recall later in life, the stories we tell people? Moments like this are exactly what stories are made of.
It was a wet day. Gray outside. Rain coming in fits and starts. Just two days earlier it had been in the upper seventies. Pollen dusted most outside surfaces. People had been out and about enjoying the beautiful weather. But, like I said, that had been two days earlier. On this day it was in the mid-forties, rainy and windy. I’m not sure that really plays into the moment, but it might have. I’ll let you decide.
The events took place after a routine morning of stretching, coffee, getting ready for work, and going to that job I got ready for.
I went to the post office, something I do from time to time when there is no one else there to do it. I had my raincoat on and I walked the two blocks there only getting rained on a little. At the post office I said good morning to Mrs. Cathy and we exchanged about thirty seconds worth of pleasantries. We gave our “Have a good days” and I left. The rain had picked up by then and I flipped my hood up.
Normally, I will make a left at the corner and walk along the sidewalk until I reached the next corner, where I cross the many lanes of traffic one way, then the many lanes of traffic the other way. I then walk the half block to the backside of the building I work in. It’s pretty simple and usually takes about ten minutes round trip.
This day should have been no different.
I reached the corner of the block and stopped. Though I had the little white walkie man on the sign and the light was red for cars traveling in that direction, I reached the corner the same time as a car did. It was a burgundy Toyota, nothing new but certainly not something older than ten years. It had slowed a little faster than I liked and came to a stop halfway in the crosswalk. I waited for a couple of seconds to see if the person driving was going to make a right turn, even though I had the right of way. When the car did not go, I stepped into the road and started to round the front of the car.
That is when things went south.
I glanced at the car when i was about halfway by it. It lurched forward. Time did not stand still but it slowed down considerably like in the movies or a good book. There was no way to avoid what happened next. I didn’t jump but somehow ‘lifted’ myself a little. The car struck my left knee. I tensed up and lowered my elbow and shoulder as I fell onto the car’s hood. My elbow struck first, then my shoulder. I rolled to my right and off the car, landing on my right foot, then my left. Then I took a step backward.
The entire incident was maybe three seconds, but they could have been far more devastating than what they were.
I was shocked.
I was stunned.
I was pissed.
I honestly believe the person in the car had struck me on purpose. I thought for a second there that the person had gotten angry that I decided to cross at the crosswalk when I had the light and drove into me on purpose. I imagined this angry guy with a scowl on his face and wearing a wife beater sitting behind the wheel and cursing me for having the balls to cross when I had the right of way. Or maybe he was just impatient and thought I was walking too slowly. I didn’t know.
I held my arms out at my side and yelled, “What the heck are you doing?” Yes, I said heck and not any of the other words that probably could have come out of my mouth.
I stood in the road, mail rubber banded together in my left hand, and stared at the car for maybe ten seconds. When the driver didn’t open the door I thought, “They’re going to run.” I reached into my back pocket and pulled out my phone, certain I was going to have to take a picture of a fleeing vehicle’s license plate.
During all of this, the light turned green. I stepped out of the road, my phone in hand and watched the burgundy Toyota. I flexed my left knee, rotated my shoulder and bent my elbow several times to make sure I was okay. Thankfully, there was no immediate notice of injury.
The light turned red and the car had not moved. The hazard lights were now on and blinking their orange warnings. Then the door opened, and sitting in the car was not some crazed guy wearing a wife beater, but a woman who was possibly eighty or so (and if not, she missed a good chance to be). Her hands were shaking and she was crying—I’m talking ugly crying with tears and her face scrunched up and snot dribbling from her nose like a sniffly three-year-old.
“Oh my God, Oh My God. I am so sorry.” She said this over and over again.
Suddenly, I felt like crap standing there on the side of the road. I had yelled, not at the woman, but at my perception of who had to be driving that car. But that wasn’t who was there. Instead there she was, crying—sobbing—and shaking like a leaf in the wind. She was pale and constantly saying “I’m sorry.”
Right then, I had a choice. I could be a jerk and be rude to her or I could console her. Though it should have been the other way around—after all, I was the one hit by the car—I chose to console her. I squatted down in her doorway and we talked. Well, that’s not quite accurate. I talked, she cried and said she was sorry over and over again.
As I squatted in her door trying to calm her down, I discovered there had been a witness. It turns out, a man who was maybe my age or a little younger, had seen the incident. He walks by the car where I am with this distraught woman and he said to me, “You need to call the cops.” He didn’t asks if either of us were okay. He just saw me do a slow motion Dukes of Hazzard style roll off the hood of a car and all he could say was, “You need to call the cops.” And it wasn’t just what he said, but how he said it, as if he couldn’t see the crying woman. In his eyes, I was the victim and she was the criminal. This was an opportunity for this guy to step in and be somewhat of a hero. Instead, well … you can see what I think of him two sentences from now.
Yes, I got pissed a second time.
I turned to him and in my amazing wisdom, I said, “You don’t need to be a d*ck.”
It was his turn to have a shocked look on his face. I continued. “If you’re not going to help the situation, stay out of it.” He said something, but I don’t know what it was. He did, however, walk away.
I turned my attention back to the woman. I learned a couple of things from her: 1) she parks in the garage not thirty yards away from where we were, 2) she works in the building we currently were in front of, and 3) she had just found out her sister was diagnosed with pancreatic cancer. The last of those three things told me her mind was elsewhere. She had said, multiple times, she had not seen me. She looked left then right and didn’t see me. Of course she didn’t. Her mind was on her sister—her terminally ill sister.
With her still crying, I knew right then she was having a far more difficult go of things. Her hitting me was the straw that broke the floodgates open. It was my turn to ask if she was okay. She was not. I knew that. We sat and talked as cars went by, some honking because they were impatient and we were an inconvenience to them.
Finally, after about fifteen minutes of trying to calm her down, she said she was sorry one last time. I reached over and took one of her shaking hands and said, “Ma’am, don’t say you’re sorry again. You’ve said it forty times. I forgive you. I am okay. Okay?”
I held her hand for probably thirty seconds. One thing I have learned in life is the importance of the human touch. The human touch is personal. It can have a calming effect or a damaging one. This is why hugs in hard times are so important and often lead to people letting their guards down long enough to get a good cry out. This is why physical or sexual abuse is so damaging, because it should never happen and it’s a personal attack on our bodies (and psyches). It can comfort in a time of stress.
After getting assurance she was finally calm enough to drive the thirty yards to the parking garage, I stood, closed her door and backed out of the road. I watched her make the turn and drive away.
As I made my way back to the office, this lady was on my mind. I had yelled at her after she hit me. I think it was a natural reaction, but I can’t help but believe that part of the reason she didn’t open her door right away is because of my dramatic display of anger and she was, possibly, scared of me. I felt terrible about that.
When I arrived back at the office, most of my co-workers were already there. I walked in and one of them looked at me and said something, which I don’t really recall now.
My response? “If you get hit by a car, do you get to go home?”
It was a tension joke all the way. It was at that moment that it sunk in: I had been hit by a car. Three seconds of my life could have ended much worse than it did. Three seconds either way and this story is different—or maybe not told at all.
But there’s more to this than those three seconds. There were choices made. I had a choice: call the police and file a police report or look at this woman with compassion and console her. I chose to console her. I chose to look at someone—a complete stranger—as a human being, not as someone who struck me with their car, not as someone I could sue and get money from, not as someone who was negligent and needed to be punished. I looked at her like I would my grandmother, and I hurt for her. I can only imagine what went through her head as she sat in her car: “I could have killed him.” Yeah, that might have been one of the thoughts she had. I can only imagine.
I chose compassion over anger. I chose not to pursue a legal course of action. I chose to forgive and go on with my life. Unlike the guy who passed us and didn’t offer help or even ask if we were okay, I chose to not make this woman’s life any harder.
There are moments in life where you can do the right thing or the thing you want to do or even the thing everyone else would do. Those are the moments that define you as a person, they show you—and the world—the type of character you have. Sometimes the right thing is easier to do than you think. It’s called having a heart and caring.
A moment in life—three seconds—and things could have been different in a worse way. This is life. This is the way life happens and life is the very heart of every story.
Until we meet again, my friends, be kind to one another.
Before I get started today, I want to state two things. This post will have a LOT of pictures. Second, if you are a long time (or even first time) reader of Type AJ Negative, hit the like button at the end of this post and leave a comment. Give me some feedback, especially about the last part of this post.
Let’s dive in.
I realize I haven’t been around as much as a couple months ago, but if you have followed me any length of time, then you know I go in spurts. Sometimes I post two or three times a week, then don’t post another thing for a month. I try to go for quality over quantity. I hope that means my absence makes your hearts grow fonder. If not then …
So, where have I been pretty much since the beginning of the year? After not really going anywhere in the year of the Covid, 2020, Cate and I have spent nearly every Saturday of 2021 driving around, visiting parts of our state, going to state parks and spending a lot of time together. Rain or shine, cold or warm, we have been out and about, determined not to spend every waking moment cooped up in our house.
That’s not the only thing going on. We have purchased a school bus. No, not a little school bus, but a regular sized bus. It’s huge. We’re in the process of renovating it and turning it into a tiny cabin. We call it The Get Away Bus. We got it in January and have spent at least one day every weekend (except for Valentine’s weekend) working on it.
Cate has also begun pursuing her art. Back in September of 2020, I turned my shop into a studio for her so she would have a place to paint and explore different styles of art. She has done some amazing artwork. (Yes, her artwork is for sale, so you can check out her Facebook page at: https://www.facebook.com/Cates-Chaotic-Creations-113445590484536
But wait, there is more.
I’ve gotten back into the Remote Control Car hobby. I’ve spent a lot of time researching things I didn’t know, and learning some of the ins and outs. I’ve rebuilt two of my RCs and fixed two others, including one that hasn’t worked in over ten years. For the first time since first dabbling in the hobby, I’m enjoying it.
We’ve also restarted the Gettin’ Caffeinated Coffee Tour blog.
To say Cate and I have kind of thrown ourselves into 2021 is an understatement.
There is one more thing. This is a big thing. I’ve taken a step back from traditional publishing. It’s something I have thought about quite often in the last couple of years. If I’m thinking about it that much, maybe I should actually do it. This does not mean I will not be writing and putting out work. It just means I’m under no pressure to do so.
A few years ago, I was told in order to stay relevant I had to constantly put out work to keep my name on the tongues of the readers. With that in mind, I constantly posted on blogs and social media, I sent out booklets to people, I released books and tried to engage people in person and online. I wrote a lot of stories, many of which felt forced and I didn’t like (and which have never been published). I put so much pressure on myself to be relevant that I stopped enjoying the thing I loved doing: writing.
Here’s an honest moment I hope everyone understands (though I’m sure some will disagree, maybe even vehemently): I feel the publishing model is broken. I feel there is so much wrong with how things are done in publishing, from some of the way authors are treated by publishers and editors to the way some publishers steal ideas from others, to the way royalties are divided, to the way some (dare I say, many) authors no longer care about putting out good work, to how crappy Amazon is for writers and how people view authors whose work is not on Amazon, to writing organizations taking their fees but not really doing much for the writers, to those same organizations frowning on those who choose not to join them. It’s a crappy model and I have no clue how to go about fixing it.
So, here is what I am doing: I’m creating a Patreon page for my writing. If you don’t know about Patreon, it is a subscription-based system that allows artists to have control of their art and for fans to show their support for those artists by purchasing subscriptions. The page is called The Down Side Up and will be going live sometime in the next eight weeks. It will have exclusive content you can’t get here at Type AJ Negative (or anywhere). Content includes serialized stories never published (quite possibly including my love story I wrote in 2020), an article titled One Step Forward, which is about my journey in the writing world, both the ups and downs. It’s somewhat autobiographical. There will be discounts for books, and we’re debating on video content as well.
I’ve never done anything like this. I have no clue how it will work. I have no clue if anyone will actually want to pay a subscription for my stories and my thoughts. I may get one subscriber. I may get twenty. I may get none. But I’ll never know unless I give it a try. I may go back to traditional publishing at some point, and yes, I will still put out physical books and do events, and yes, Type AJ Negative will still be here. For now, I feel it is time to go in another direction.
Thank you for taking the time to read my blogs, my stories and my thoughts. As a person, it means a lot to me. Don’t forget to like this post, share it with your friends and leave a comment below.
Until we meet again, my friends, be kind to one another.
A few minutes ago I was working on a story called Whisper. I’m nearly done with it. It’s the first story I’ve written in a long time where I didn’t put a lot of pressure on myself to write it and make it publishable. More on that, maybe not today, but later.
Cate walked into the room with the smile on her face that is usually reserved for when she is creating. Tonight she is baking cookies. Not just any cookies, but her sugar cookies that she will ice with the royal icing. They are delicious.
“Hey,” I said and turned away from the computer. I put my feet on the bed and watched as she dug through a rolling unit of drawers for the right cookie cutter. She found the one she wanted, closed the drawer and looked at me.
She went to the door, turned and looked at me. “I have to get them cut,” she said. I guess she thought I wanted to talk or to get her attention. I didn’t. I just like seeing her that way.
I just smiled again. In return, she smiled, then walked out of the room, closing the door behind her.
I turned to the laptop and stared at the last few sentences I had written.
“She’s dead, you know?”
Shelley swallowed hard and nodded. She knew.
I saved the document, then closed it. I spun in the chair and put my feet back on the bed, crossing them at the ankles. I stared at a tie dyed sheet hanging on the wall. It’s something Cate made. I turned and looked at the wall where my desk is. It is lined with pages from a book—Cate wallpapered the wall with a copy of King’s The Stand. On my desk is a replica of the Stoker Award that Cate made me one year when I thought one of my stories was a shoe-in for a nomination and I was sad that it hadn’t received one. We did a Not at the Stoker’s Award show the same night as the Stoker’s event. She called it the Bram Stokeher award. The shirt I currently wear is one she made for my last birthday. On it are the words Who Knew 50 Could Look This Good! On the wall next to the television that sits on our dresser is a painting she did of a door in a garden.
All around me are the things that make my wife happy. When she is creating anything she is the happiest person alive. Her mind is thinking, her hands are working, her eyes have that determined look in them. That’s her happy place.
How can I not smile at such happiness and joy.
Until we meet again, my friends, be kind to one another.
(This is a rather long post, one where I talk about some of my writing and how I feel about some of those things. However, this isn’t just about writing. It’s about everything you do in life that brings you joy, which leads to happiness.)
I wrote a book a couple of years ago titled, Simply Put. It’s my thoughts on writing, on the craft, on telling stories, and on the things they don’t tell you coming into this business. They are, simply put, my opinions. It is not a how to book. Sure, there are some tips about writing, things I’ve learned along the way, but it’s not a book that teaches writing stories. I’m not a professor at a college who teaches writing and all its little nuances, so I don’t really feel I am qualified to say, ‘hey, do it this way or it’s wrong.’ Besides, I don’t believe in ‘do it this way or it’s wrong.’
Simply Put was set to come out mid-2020, but when the world went into shutdown mode, I decided to push it, and three other books back to 2021. As I sit here today typing this, I’m not so certain Simply Put is ready to be released. Don’t get me wrong. It’s been edited sixteen times. It’s gone through massive overhauls and rewrites. I’ve even taken a lot of snark out because I don’t think the sarcasm and snark are warranted in many places or will serve a purpose.
Though a year ago I believed Simply Put was ready, now … now I don’t know if it will ever be ready. I’m not sure how I am going to explain this but let me try.
When I decided to get published—or attempted to—I thought I was a good writer. I was wrong. I had several people tell me I was. They were wrong. Those same people said, ‘you should try to get published.’ They meant well and they stroked my ego by suggesting that. Before I continue, I want you to understand something about writing: don’t listen to people you trust when it comes to publishing. Most of those people say you are a good writer because they don’t want to hurt your feelings. They are lying to you, just as they lied to me. They suggest things like ‘you should get published’ knowing fully you probably won’t pursue that avenue. Unless, of course, you do, and by then it’s too late for them to say, ‘oh, by the way, you really suck.’
Though I was wrong about being a good writer, I wasn’t wrong about being a good storyteller. That I have always been good at. When I really want to tell a story, I can do so with flare and humor and I don’t need the written word to do it. I could have been a comedian and told funny stories to crowds of eight or fewer at open mic night at whatever local bar was open at the time. I could have entertained with the oral word (get your minds out of the gutter …).
I may not have been an even halfway decent writer when I started out—I don’t think anyone is—but one element about it was also what pushed me to try and get published. I enjoyed it. The act of writing was fun and exciting. I could visualize things on the silver screen in my head as I typed or handwrote the words. I could watch events unfold for the first time and have the excitement of it all play out before me. Reaching the end of the story and signing my initials and dating the story always brought me great satisfaction. The accomplishment made me happy, but the process of writing brought me joy.
Publishing was the logical next step, even if others hadn’t suggested it. Again, I believed I was good enough to get published. For the record, you should never be ‘good enough.’ Never. Ever. You should always be good, great, awesome, amazing, brilliant, but not ‘enough.’ Enough is like being second place in a two person contest. I know that sounds harsh, but ‘enough’ is not really good. It’s barely getting by, it’s meeting the minimum to not fail. So, first lesson to this post: Never be just ‘enough.’ Never be average when you can be amazing. Oh, and don’t ask ‘what’s wrong with average?’ or say ‘this is who I am.’ Those are excuses to not try.
So, I was an average writer wanting to be an above average author who really didn’t know what I was doing and who didn’t take the time to or put in the effort to become a better writer. I was just good enough.
For several years I couldn’t get published. I was rejected time and time again until a now defunct webzine published one of my stories. It was called, Diane’s A Whore and Simeon’s Payback. It was truly atrocious. The title alone makes me cringe now. Ah, but getting that story published made me happy, got me excited. It was like a drug and I wanted more of that euphoric high.
I wrote more bad stories and got published by more bad webzines looking for content they didn’t have to pay much for. Each time I received an acceptance it fed my addiction to get published again and again and again. Hearing someone wanted to publish one of my stories, then seeing it on the computer screen on a webzine intensified that euphoria.
I continued to write, but this time, I didn’t just write a handful of stories a year. For those who didn’t know me in the early 2000s you might find this hard to believe but From 2006-2009 I wrote an average of 126 short stories a year. That’s not including poems, haiku, songs, limericks, novels, blog posts and all the things I didn’t finish. That’s just short stories. Of those 504 stories, maybe a hundred were good. Maybe half that number were good enough. The rest? Slop.
Though probably 350 or so of those stories weren’t that great, the process of writing and writing so much in such a short period of time was immensely satisfying. I found great joy in the process of creating characters and putting them in crappy situations to see how they managed to survive if they survived.
I want you to remember one word in that last paragraph for just a little later. JOY. Forget everything else. Okay, well, don’t forget everything else. Just remember JOY.
In 2010, I changed my entire concept—the very idea—of how I was writing. I wrote less stories, but they were longer and fleshed out and the characters were believable. My enJOYment of writing grew, even as I wrote fewer pieces.
In January of 2012, my first book, Along the Splintered Path, was published by Dark Continents Publishing. I was excited. I was ecstatic. A publisher wanted to put out a book written by me. Sign me up, buttercup.
In November and December of 2011 and on into early 2012, I had a serious bout of pneumonia. It was bad. Really, really bad. Though I was so sick I would cough until I threw up, and I couldn’t lay down in my bed for nearly two months, I worked on the edits to ATSP and got them back to my editor as quickly as I could.
The book came out, the reviews were good, the sales were decent, and I was happy. I did interviews to promote the book and things were looking up. Then someone asked me if I planned to put out anything else. More importantly, they said, ‘In order to stay relevant in this business, you need to constantly have new books for the readers to get their hands on.’
What? Relevant? You mean one very good book isn’t going to catapult me to fame and fortune?
In October of 2012, I released Southern Bones, a collection of 11 short stories. It was the first time I put out a book myself. The process of putting the stories together, editing and getting cover art and learning to format and upload the ebook, then the print version was exhilarating. I was excited and happy with what I had done. With my second book out there, I thought, ‘hey, I’ll get more readers and things will be even better than they are right now.’
That didn’t happen. I did a handful of interviews, but the book didn’t do that well in either sells or reviews. My happiness waned. ‘It’s a good book,’ I lamented. ‘Why aren’t people buying it?’
‘You need a novel,’ someone answered.
‘Yeah, that’s the ticket,’ I thought. I already had several novels written, but one in particular, stood out. Cory’s Way came out in December of 2014, just in time for Christmas. It did well. It still does well. It is our best-selling book to date.
I have put out quite a few books since then, some of which you may have read. Each time a book went out, I was happy. Happy. Happy.
Happy is a fleeting feeling. You accomplish something and you become happy for a minute, then you have to accomplish something else to keep that happiness. You say to yourself, ‘If I only had more money or a better job or a spouse, I will be happy.’ Then you get a better job and it pays you more money and you meet the man or woman of your dreams while working there and get married. You’re happy for a while. Then it wanes. You don’t like the job as much as you used to, you want a raise, and maybe the things you overlooked while dating the man or woman of your dreams you have a hard time overlooking now. Happiness is such a fleeting feeling.
Do you remember that word I mentioned a few paragraphs up? If not, scroll up and you will find it. I will wait.
Do you have the word? Okay. Say it with me: JOY.
Joy and being Happy are similar but are two different things.
Happy is feeling or showing pleasure, contentment, according to the Oxford Languages dictionary. A lot of times happy comes after getting something you want or accomplishing something or even marrying someone. It is also fleeting.
Joy is slightly different: A feeling of pleasure and happiness. What brings you joy? Your job? What is it about your job that brings you that joy? Money? What is it about money that brings you that joy? Your spouse? What is it about your spouse that brings you joy?
Do you follow me so far? Okay, let’s take this a step further.
Enjoyment is the state or process in taking pleasure in something. Right smack dab in the middle of the word enjoyment is the word JOY. Joy is active during the process of doing something. It is called enjoyment for a reason. What do you enjoy doing? What is it that brings you joy?
For me, for the longest time, it was writing and telling stories. The act of telling a story still excites me. However … let’s go back to another thing I said earlier. ‘In order to stay relevant in this business, you need to constantly have new books for the readers to get their hands on.’
Talk about putting pressure on yourself. I took that to heart when it was told to me. I would get antsy if I went too long without a new release. I got frustrated when the books weren’t selling, or the reviews weren’t coming. I kept asking ‘why?’ and not having any logical answers. I promoted the works and even started promoting months in advance. I checked my Amazon numbers obsessively. I checked to see if there were new reviews daily. I questioned myself on whether the books I released were any good. I revamped my social media pages and turned my blog into a full-blown website, all in hopes of driving people to my various pages and upping the sells of books.
The happiness of a new release was no longer there. It was replaced with ‘I hope this one does better.’ The addictive euphoria was gone. Still, one thing hadn’t really changed: the joy of the process of writing a new story and creating a new book. It waned some and there was a time or six I thought it had died. It didn’t, but it was on life support.
Happiness is fleeting, but joy is always there, even if we don’t realize it, even if we push it out the way because our pursuits and our goals changed.
I put pressure on myself to create stories people would want to read, to put out books that would be good and do well. I put pressure on myself to get readers and reviews and create posts about books on social media and create marketing materials. A lot of writers do. A lot of writers buy into being relevant. A lot of writers buy into the idea of publishing, so much so, they lose the enjoyment of why they write in the first place.
Why? Why do we do this? My only answers are money, success and … validation. Yes, validation. Writers need publishers and readers and reviews to validate that they are worth a damn at putting words together. It’s not enough to know we are good at this. We need to be told. And that’s the most damning thing of it all. Validation outside of our own minds is the driving force behind so many writers.
I love writing. I love telling stories. I love the process of putting word after word after word to create sentences that form paragraphs that lead to worlds being opened in my mind and characters being created. I love the act of writing, the process of writing. It is what I enjoy doing. That never fails for me.
I do not love publishing. I do not love marketing. I do not enjoy the obsession of reviews and hoping readers will find me.
Creating … creating brings me massive enjoyment. No, it’s not a euphoric high like publishing used to be for me. But it brings me such satisfaction that I want the world to read my stories.
Recently on Facebook I posted part of a review for my dark collection of stories, Voices. The review was from Scream Magazine and it was extremely good—one of the best reviews I have ever received. Yet sells and more than a handful of reviews didn’t happen for Voices. I was frustrated that one of the best collections I’ve put together had done so poorly. It took the words of a long-time friend and someone I admire to set my mind where it needed to be, to make me think about what I was doing and why I was doing it. Here is what my friend, Frank, said:
‘I say that is an excellent review and you shouldn’t overthink it. Unless, of course, what you lust after most in your authorial life is to write for “everyone.”’ And then, ‘Provided you’re content with the quality of what you’ve done … The review you posted flat out confirms you were right about the collection, no ifs ands or buts. The rest is just a crapshoot outside of your control.’
The idea of publishing is grand, and everyone now has the capability of doing it themselves if they choose not to go through a publisher. The idea of publishing so often leads to the need of validation from publishers, readers and other authors who can give us blurbs and help us push our books. The idea of publishing has also ruined the dreams of many writers. Outside of the actual writing and publishing, everything is a crapshoot outside of your control. As writers we overthink things and so many of us small press writers are left scratching our heads and asking ‘why?’
After writing the last 2600 words I no longer believe Simply Put is ready to be released. There needs to be an understanding that you should never let publishing a book or lack of sells and reviews hinder the enjoyment of writing and telling the story. But this isn’t just about writing. It’s about life. Don’t let anything hinder what you enjoy doing. Joy is an active thing. You can actively be joyful and when you are, happiness follows and tends to last longer. And isn’t that what we all want in life? Joy and happiness?
I am writing some of the best stories I have ever written. That joy of writing had been on life support, but now it’s off the respirator and getting its strength back. The joy of creating a book is back and there are several in the works with titles such as The Color of Sorrow and Grim as well as a possible three book set down the road. I still enjoy the process—I’m probably more excited than I have been in a while to create books, then release them. I think you’re going to like what’s coming, starting with Five Deaths on January 12th. I also think everything outside of writing the story is a crapshoot.
If you’re doing something you used to love and you now longer love it, then you, like me, have probably altered your plans and goals and have forgotten what brings you joy. Be joyful in what you do. It leads to the happiness we all desire, but it also shows in your work. Readers and fans of any type of art can tell when something is forced and when the love of it is gone.
This has been one of the longest post I’ve written, and if you are still here, thank you for indulging me.
Until we meet again my friends, be joyful, kind and happy.
In April of 2018, I was sitting at a table on Main Street here in Columbia. I was eating a meal with my wife and listening to our favorite local band. The text tone on my phone went off. I didn’t check it. I have this pet peeve where I hate having dinner with someone and that person is constantly answering their texts or phone calls. So, the phone sat on the table, face down at I ate and Prettier Than Matt performed.
The text ring chimed again. And again. And again.
Finally, Cate said to me, “You might want to check that. It could be important.”
I flipped the phone over, typed in my password and checked the text. Cate had been right. It was important.
I sat staring at my phone and shaking my head. I think I put one hand to my forehead and rubbed.
“Everything okay?” Cate asked.
I shook my head. “No. (Name that shall not be mentioned) committed suicide last night.”
I wiped my mouth and responded to the multiple texts that I had received about the death of a friend. Just the night before I had talked to him—less than 24 hours earlier and he ‘seemed okay.’
Fast forward almost a year later. It’s now April 1st, 2019. I’m scrolling through my Facebook feed when I see an announcement that stopped my scrolling. A friend of mine’s son had posted on his mother’s page that she had died in her sleep. I thought it was a bad April Fool’s Day joke and I sent my friend a PM.
It wasn’t a joke. She didn’t respond and by the time her mom responded a month later, her death had been confirmed by multiple people. It had been speculated she didn’t just go to sleep and not wake up.
My friend had depression issues. She and I had talked about it on more than a handful of occasions. A few days before we had talked. Plans were being made for projects we were working on, for things she wanted to work on. She ‘seemed okay.’
In the last couple of years, four of my friends committed suicide.
I’m going to pause here and let that sink in.
Fast forward to just a few days before Christmas of one of the toughest years ever, 2020. A friend of mine posted about his daughter’s sudden passing. I saw it, but said nothing right away. I thought my friend from my teen years probably needed his space, needed to grieve.
The Monday after Christmas, I sent him a message. I’m going to be honest here: I was worried about him and I didn’t expect him to answer so quickly. Within two minutes, he responded and it shocked me to the point of nausea and speechlessness. His sweet, teenaged daughter had committed suicide.
It brought tears to my eyes. His daughter was the same age as my son. My stomach knotted and I could only shake my head in shock and disbelief.
I’m still shocked.
I don’t know the situation behind my friend’s daughter’s suicide, but the two people I mentioned and the two I did not all had depression and anxiety issues. One of them suffered from PTSD and injuries he received while serving in the military overseas. My four friends all dealt with some form of mental illness, whether it was depression, anxiety or PTSD. Two of them didn’t think they measured up to the world’s standards. One of them was lonely and raising kids by herself. Her depression was debilitating, as was my military friend’s.
Listen to me for a moment. All of you who read this, all of you who follow this page, please listen to me. Mental illness is no joke. Depression is no joke. Anxiety is no joke. It’s as serious as Cancer and heart disease and any other sickness that can be deadly.
Sadly, there is a stigma surrounding these things. You hear things like, that person is just seeking attention, or it’s not that bad, just a little sadness, or it’s all in their head, or, worse still, it’s just an excuse for whatever that person doesn’t want to do or deal with.
So often people who suffer from any form of mental or emotional illness are told to get over it, to rub some dirt on it, or any other way of saying this is a nonissue and they’re making more out of it than it is. I don’t cuss much on my website, but I’m just going to say this: that’s bullshit. People who deal with these issues can’t just get over it, can’t just move on or rub some dirt on it or man up. It’s a big issue for them. Sometimes it’s so difficult they can’t bring themselves to get out of bed or to go out around people. Sometimes the cloud of gray they are surrounded in is so thick and all encompassing that they see only one way out. They don’t see any sunshine on the other side of those clouds. For some—for many—there is only damp, cold and rainy days.
I’m not going to sit here and say I understand suicide. I don’t. I’ve never gotten why people choose to end their lives instead of seeking help. [[Let me clarify one thing before I continue: I think I do understand when someone is suffering from a terminal illness or who is losing their mental facilities thanks to illnesses like Dementia and Alzheimer’s.]] Here’s the thing: where are you going to get help from these days? It’s such a stigma that talking about it to others sometimes makes things worse in the fact that those people sometimes look at you differently once you air your depression or anxieties out. Sometimes reaching out can make things worse if you reach out to the wrong person. How wrong is that?
“They have issues.”
Don’t we all? Don’t we all have something that touches us in a way that hurts us on a whole different level? Don’t we all have our own demons we have to deal with? Just because someone can get over something doesn’t mean the next person can. Each person is different.
We can medicate, but that’s not treating the issue, it’s treating the symptom. If you want to get to the cure or even to the ability to maintain this, you have to treat the root. You can snip the leaves all you want, but until the root is treated, the plant will keep growing. That’s not to say some people don’t need medication—they most certainly do, but that’s not always the cure.
We can seek counsel from a therapist. That’s a start. Even that isn’t always going to help.
What I think—and please understand these are my thoughts and how I feel about this and nothing more—is until we start taking the different forms of mental illness serious, it’s going to get worse. Until we start educating ourselves, our children and our leaders, about mental illnesses, it’s going to continue to get worse. We need to look at mental illnesses, not as a stigma or as something to be ashamed of, but as something that can be talked about, that can be openly discussed without being ridiculed or treated differently. Until we accept that many people can’t just ‘deal with things’ we’re never going to get hold of this.
And, again, listen. This is important. I mentioned ‘get over it’ earlier. Don’t say that. Ever. Just don’t do it.
She’s probably going to kill me for this, but my daughter has anxiety problems. Every feeling she has is amplified. She feels things on a much deeper level than I do. When she has a panic attack it’s a big deal. For the longest time, I didn’t understand it. I didn’t understand she couldn’t control them or when they happened or how long they lasted. For me it was as simple as ‘you need to learn how to deal with this.’ Essentially, that is just a lousy way to say an even lousier ‘get over it.’
I want to say this and I want to be clear about this: I. Was. Wrong. It should have never been ‘you need to learn how to deal with this.’ It should have been, ‘talk to me, tell me what’s going on, help me understand so I can help you.’ Don’t get me wrong, my default setting wasn’t get over it. It was to try and help, but when I couldn’t help, get over it became that default setting. That was shitty of me. I hate that I couldn’t help, but I hate even more my eventual reaction. It was wrong and it could have led to far worse things. I know this now and I’m thankful my daughter has learned the warning signs for when a panic attack is coming and that she can put herself in a place, mentally, to handle it—not to deal with it, but handle it.
A panic attack can be as debilitating as any longterm pain. It’s a heightened form of anxiety that grabs hold of you like an angry dog to a bone, and it doesn’t let go so easily. Depression is the same way.
I wasn’t raised to understand depression, anxiety, panic attacks or any other form of mental illness. If I was sad then that’s all it was. If I feared something, then it was me being irrational. If I was unhappy, I had to ‘get over it.’ It took me a long time to understand that this is something that can crush a person and lead them to make decisions that I still don’t understand.
Life is precious and the minutes are so few. I always thought from the time you take your first breath you begin dying, so why speed the process up? I don’t understand suicide. I don’t understand the mindset you have to be in to make that decisions. I’ve written about suicide in some of my fiction and I’ve tried to understand the pain and sadness of someone on the verge of ending his or her life. It’s a dark space to go as a writer. I imagine it is so much darker as someone struggling with depression and any other mental illness.
So, where does all this rambling leave us? It leaves us with me saying—no, begging—please, world, stop frowning on those who struggle with the various forms of depression and mental illnesses. Please, take their hand and help them. Please, don’t just listen to them talk, but actually hear them. You don’t always have to have the solution, but have the empathy to be a friend, and for Heaven’s sake, love them. Love them in a way that leaves them feeling loved, in a way they believe they are loved. Don’t be critical and rude and don’t tell them to ‘get over it.’
We all need to know someone cares—All. Of. Us.—so be that person who cares. Reach out, even if your friend or family member ‘seems okay.’ My two friends at the beginning of this ‘seemed okay’ when I talked to them last. They weren’t.
Until we meet again my friends, be kind to one another.
Life is about change, Everything in life changes from birth to death. Change is important … Hmmm … I have a feeling I might use those three sentences again real soon.
I start this off with that first sentence for a reason. Most of you know me as A.J. Brown. That is not a pen name. Those are my initials and that is my real last name. However, when I started writing, I didn’t write under my initials. I wrote under the name given to me at birth, shortened to what most folks call me: Jeff.
My first thirty-nine publications all came under the name Jeff Brown. It’s not the coolest name and there is even a punk song with my name as the title by Mi6. It’s not very flattering. And, no, the song is not about me.
Back in 2004, I submitted a story titled, The Woodshed, to a publication called The Butchershop Quartet. It was an anthology of four stories put out by Boyd Harris and Cutting Block Press. I wanted so bad to get into this publication.
I didn’t make it in. I honestly don’t believe I came close to making the cut. However, when Harris sent the rejection notice, he didn’t send the dreaded form reject. He wrote me a little letter. I can’t remember it word for word, but here is the gist of it:
“I think you have good ideas, but you don’t have the skills to pull them off.”
No, that is not an insult. That is just honesty. And it wasn’t worded quite like that. Harris was nicer in his assessment. Looking back now, he was right. But he didn’t just make a critical point about my writing. He invited me to an online writers’ group called Zoetrope Virtual Studios. It was my first foray into social media, but it was in a web forum style. The name of the group was +The Horror Library+.
I’m not going to lie and say I wasn’t sure about it. I wanted to become a better writer, but I didn’t know Harris. For all I knew he could have been some psychopathic serial killer. Thankfully, he wasn’t.
I joined Zoetrope under the name of A. Jefferson Brown. Sounds kind of distinguished, but that wasn’t what I was going for. To this day, I still don’t know why I chose that username, but it wasn’t to sound distinguished. Once I joined THL, I sat in the shadows and read a lot of posts from writers who were way better than me. I was thoroughly intimidated. I was out of my league.
It was eye opening.
These writers did something I thought was crazy. They posted rough drafts of their stories and had other writers and editors tear them apart. What type of sorcery is this? After a while I was encouraged by a couple of writers to post something I wrote and let them read it. It was then that I realized I wasn’t that good of a writer. I didn’t have the confidence in my words to submit one of my stories for others to criticize. I had thin skin and I only wanted people to praise my stories.
I had been pretending up to that point. I wasn’t a writer. I wanted to be, but I couldn’t say I was a writer. Not after realizing how little confidence I had in my work. But I made it a point to get better. In making that decision, I chose a story I had written called Black Cancer. They tore that story up so bad it should have been considered a crime scene.
Over the next couple of years, I submitted more stories, participated in contests, asked these better writers questions about how to do things, and I worked, worked, worked on the craft of writing. From 2005-2008, I wrote nearly 500 short stories and two novels. Over half of those stories were experiments in writing.
During that time, I became friends with some great people. Boyd Harris was just one of them. There was Fran Friel, who is like a big sister to me. Chris Perridas, who my wife and I hung out with at Waverly Hills Sanitorium in Kentucky. Petra Miller, John Mantooth, Michael Dixon, Erik Smetena, Dameion Becknell, who might be might twin in theological beliefs, Steve Sommerville, Michelle Garren Flye, Jamie Sunshine, C.J. Hurt, John Lovero, Frank Hutton, all of whom pointed me in one direction or other (even if they don’t know it).
Then there is Bailey Hunter. Bailey allowed me to be myself within the group. She was funny and had no problems letting me asks her questions. She’s smart and the owner of Dark Recesses Press, who I always wanted to put a book out with. Maybe one day I will. She was also the web admin for +The Horror Library.Net+. She was a member of the Terrible Twelve. She encouraged me more than everyone except for Fran.
Bailey is also responsible for A.J. Brown.
In 2006, two of my stories were accepted for publication with THL.Net (A Bone White Hand in March, and Drainers in June). In June, I became a contributor to THL.Net. That meant I got my name on the site. Bailey input the information and after my story had been workshopped with the Terrible Twelve members, it went up. That story was Bone Yard.
When Bone Yard went live, I went to the website to check it out. In the place where my name was supposed to be was A.J. Brown. I smiled. I have always wanted to go by my initials. One of my favorite football players when I was a kid was A.J. Duhe, a middle linebacker for the Miami Dolphins. I still don’t know why she put my initials up, but I contacted her and asked her about it. She apologized and said she would change it. I think I yelled, NO! out loud. I didn’t yell it in my message to her. I just said, no, leave it.
From that day on, I have written under the name of A.J. Brown.
I’ve lost touch with a lot of the writers I learned from in the early 2000’s, but Bailey and I still keep in contact, thanks to social media. As of this writing, she is getting married soon. I wish her a ton of happiness in that marriage.
Though I haven’t heard from Boyd in a long time, I can point to me submitting to his anthology and his rejection letter as the cornerstone for me being the writer you guys love. Or, at least, I hope you love. I can point to Bone Yard and the name attributed to the story as the beginning of A.J. Brown. It was the thing that gave me confidence in my words. After that, I’ve had no problems showing people my stories.
Boyd Harris, wherever you are, thank you. You put me on the path I follow to this day. To Bailey Hunter, thank you for mistakenly putting A.J. Brown on that first story. It stuck and that’s a good thing.
Until we meet again my friends, be kind to one another.
Here we are, you and me, me and you. Where do I begin?
Okay, how about from the beginning.
Stick with me a few minutes. I’m not sure how this is going to work out.
Eddie Van Halen died. Most, if not everyone, knows that. Then the best friend of someone I am close to at work passed away. Here it is a little more than a week after that and someone I know passed away.
Please, don’t leave yet. This is not going to be all doom and gloom. Sure, the first part will be, but I promise I will try to pull it back, try to be positive at the end of this. Okay? Stick with me a little longer?
When Eddie Van Halen died, I saw a lot of comments on websites and blogs where people wished they would have been able to tell him how much of an impact he had on their lives. He had an impact on a ton of musicians, and so many of them wish they could have told him that. Here’s the thing: they could have. In today’s world of social media and websites, it’s so easy to contact sometone through their various pages. Would they see it? Maybe not. Someone else might read these things and Van Halen may have never seen the first ‘hey, thank you for what you did.’ Would he respond? I don’t know. Maybe. Maybe not. However, you said your peace, you sent him the message and that effort is what matters. You could have told him. You could have. Now you can’t.
Those last few sentences seem harsh, but they are not meant to be. They are meant to show you a way to actually attempt to tell someone what they mean to you.
Okay, one more thing before I continue, one more link to Eddie Van Halen. The song Right Now came out in 1992. I was twenty-one at the time and angry at the world, which was kind of my default setting. The song is about living in the moment, not putting off until tomorrow what you can do today. It’s about not being afraid. We only have right now. The past is gone. The future is never obtainable. We have right now. That is it. Right Now.
Fast forward to a post I saw on Facebook. Another author tagged me in it. I read it, smiled and realized, though this was the author’s way of showing how he got to where he is today, it was also his way of saying ‘thanks for what you’ve done for me.’ This was his Right Now moment.
Let me be upfront about something before I continue on: I’m horrible with praise. I’m uncomfortable when I get praised. Don’t get me wrong, I like it. I just don’t know how to take it. It’s such an oxymoron.
The author said I took him under my wing, that I challenged him to be the best he could. I say this: that is true. I did take him under my wing, and I challenged him, but there were times I was an utter jerk about it. There were times where I would fuss at him and point out minor things when he was starting to get the big picture. I was so frickin’ hard on him when it came to his social presence and how he presented himself on social media. The words he said in some of his posts drove me nuts, or some of the argumentative stances he took were bad looks.
We had a lot of good conversations about writing and life and life and writing. I called him Grasshopper. He didn’t seem to mind.
But I fussed at him so frickin’ much when it came to writing. I was hard on him.
When I was a kid, my dad taught me about discipline. I got in trouble one time and he didn’t yell at me, he didn’t spank me or smack me around. He didn’t do anything until Saturday morning when I wanted to sit down and watch School House Rock and the Saturday morning cartoons.
“Boy, come on outside,” he said to me.
“Come on outside.”
I went outside and my dad said, “You see those boards and bricks?”
“Yes, Sir.” (It was always yes or no Sir. Always.)
“I want you to move them over to that corner of the yard,” he said and pointed to the opposite corner—the furthest possible spot from where the pile was. “But before you do, you need to clean that corner up so it’s not a mess when you get finished.”
For the next four hours I cleaned the corner of the yard he wanted the boards and bricks, then moved them, and stacked them neatly.
“I’m done,” I told him. By then School House Rock was over and the Saturday morning cartoons had given way to whatever movies played that day.
My dad looked at the pile, then back where they had been. He shook his head. “I don’t like them there. Move ‘em back, but before you do, clean that corner up.”
I can’t remember what I did, but I’m certain I never did it again.
This was how I was disciplined. This is how I was raised. This is how I treated the young author. My dad wasn’t being a jerk. He was teaching what not to do in life. I didn’t feel like I was being a jerk but teaching this author about things in writing others wouldn’t.
I saw promise in this young man. I also saw a steady influence of comic books and action hero movies in his writing. That’s great for, I don’t know, comic books and action hero movies, but not necessarily for fiction.
We did a couple of competitions, which he didn’t win. But I saw effort, and effort is important. Effort shows you want something, and you will work to get it.
Then he challenged me to a one on one competition. The subject was Switchblade monkeys, whatever that is. We both wrote and posted the stories in the online group we were part of. He won. The story was good, and he deserved to win. I didn’t like losing, but his story was better.
I don’t know if he believed he had arrived at that point by beating me—I didn’t lose many competitions back then—but that’s when I saw the effort wane. Or maybe that’s when I realized he could do better than the effort he put into it.
I rode him harder after that. I didn’t feel like he was giving his best in every story he wrote. I felt he phoned in a couple of the ones I read. I ripped them apart, pointed out issues, things he knew better than to do.
But what the heck? He kept coming back. He kept asking questions, like the annoying little mouse in the Warner Brothers cartoons. It wasn’t that he was annoying, I just felt like he wasn’t getting it. But he was. That’s the thing, he was.
I saw improvements, but there was always something that wasn’t right. It’s as if I was a dad saying to his son, “You came in second place, that just means you’re the first loser.” He was a better writer than when I met him, but I still rode him like Bobby Knight in an Indiana basketball practice.
Then we had a falling out. It was part his fault, part mine. We didn’t talk for a while. The details aren’t all that important.
Out of the blue he sends me a link to an interview he did. I didn’t look at the interview for a couple of weeks. He sent me a message, asking if I read it. I didn’t respond. Then I read it. He mentioned me in glowing terms. In. Glowing. Terms. That’s the first time he said I had helped him, that part of the reason he was the writer he was is because of my help.
I responded with something that wasn’t a thank you or a thanks for the shout out. It was my normal “You came in second place, that just means you’re the first loser,” type response. I was still angry. He had extended an olive branch and I wanted nothing to do with it.
A year or so later, I went to Amazon and looked him up. He had several books out, some of them good, some of them okay. I contacted him about a couple of the reviews, focusing on the negative ones. “What about these?” I asked him. “Are you good with this?”
Still. Riding. His. Ass.
We may not have talked too often, but I still followed what he was doing, who he was signing with, what books he was putting out and how he acted in social media realms. Some would say that is stalking. My daughter calls it Intensive Research. I call it checking on someone who had so much potential. I realized something by stal … umm … checking in on him. He had listened. All those years of me riding him, he had listened. Something got through and he had listened. He had taken a little bit of this and a little bit of that and mixed it with a little bit of him and created his voice and his style of writing.
He not only listened, but he learned.
Not too long ago, I contacted him. We had been on again off again in our friendship/relationship/whateveryouwanttocallitship. It could be the Good Ship Lollipop. I don’t know. I said something to him I never said before: “I’m proud of you.”
And I am proud of him.
I see writing differently than most. I’m not a traditionalist. I’m not someone who follows all the rules. I believe you should always be learning, and you should always try to improve how you write. I also believe stories should come from a desire to put together something amazing. I believe you should experiment with your words. I don’t believe in action, action, action, swearing, swearing, swearing, sex, sex, sex. I believe a good story doesn’t rely on crutches. And I don’t get bothered by other writers who think I do things wrong. Each person has their own belief on how it is done. And that is the key.
This author has his own belief on the way to write that fits him. He’s no longer the writer who sees things with a comic book and action hero movie influence. He can put together a story, in his own way, and at the end of the day, that’s what matters.
Did I ride him hard? Yes. Did I ride him too hard? Sometimes. Was I jerk? On multiple occasions. Do I regret the way I was with how I taught him? Let me see: He’s grown into a fine writer. He’s matured in how he presents himself to the world. And I’m proud of him as if he was my own son. No, I don’t regret it.
I’ve gone on for a long time here. Lots of words have been spilled on this subject. Except for two, the name of the author. His name is Lucas Pederson. He is a horror author and I’m proud of him.
This is my Right Now for today. I just wanted to take this time to say, “You’re not the first loser, Grasshopper.”
Until we meet again, my friends, be kind to one another.
I talk about writing a LOT. I talk to anyone who will listen. However, I usually don’t talk about my work, my stories, what I am working on unless I am asked. Most people don’t want to hear about it, so no need to bore them with the things I find exciting in my work. Unless you are my wife, my editor or my publisher, you won’t hear me start a conversation about my writing.
Writing has brought me a lot of joy over the years. It’s been therapeutic. I’ve been able to express my sadness, anger, jealousy and resentment in stories. I’ve also been able to express my happiness, love and humor. I’ve been able to creep people out, make them cry, make them smile, make them feel. Having someone feel something after reading one of my stories is one of those things that drives me to get better, to learn how to write better with each story I tell.
Learning. That’s the ticket, as my old friend, Chris, would say.
The entire sentence is important, but that one word … that one word makes the sentence and, for lack of a better term, the story.
Learning is one of the most important aspects of life, and not just as a child, but as an adult as well.
As a child, you learn how to roll over and get onto your stomach. Then you learn how to crawl. Eventually, you learn how to pull yourself up to a standing position. This is followed by many attempts to walk the way you see your parents or older siblings or anybody else in the world who, well, walks. You learn the most important word of your childhood by hearing your mother repeat, “Say Mommy.” Interestingly enough, saying Mommy or Da-da is like a competition for the parents, with each one hoping their child will say their moniker for parent first.
You learn by watching what others do, by listening to what they say. I find it interesting that as children under the age of two, we are/were at our most attentive, listening, seeing and learning selves. Little ones soak up everything you say, everything you do. Then they try these things, like walking and talking. It’s amazing. Don’t believe me? Cuss one time in front of your child and see what happens. At such a young age, we train ourselves to do things we see others do. Yes, I said train. I’ll come back to this in a second, so stick with me for the next couple to few paragraphs.
At some point, most children want to learn how to ride a bike. Most first bikes come with training wheels. They’re called training wheels for a reason: they help you stay upright on a bike as you learn to peddle and steer, as you train. You get on the bike and Mom or Dad gives you a gentle push, maybe even walking right alongside you as you first put foot to peddle and make the bike go. By doing this, you, the bike rider, are both learning and training yourself on how to do something. The learning is mental. The training is physical. Your brain tells you, push down on the peddle with this foot, then push down on the peddle with the other foot. With conscious effort, you put your foot on the peddle and push down. The peddle turns the gears with the bike chain wrapped around them. The bike goes forward.
The effort is the training. When you actually physically do what your brain tells you to do, you are training your body how to do it and your brain how to remember it. In this case, your brain tells you how to peddle and you physically attempt it. You’ve seen someone do it, so you are already learning what you are supposed to do. The first few times are usually awkward and difficult, but eventually, the muscles in your legs and feet and hips all work together and you begin to ride the bike with less difficulty.
Then the training wheels come off and you get that push or that parent running alongside you and the front wheel wobbles as you try to steer while looking down at your feet, at the peddles that don’t want to do what you want them to do. You probably crashed a few times as you trained your legs to peddle and your body to balance and your hands to steer the handlebar straight so you don’t tip over or crash into something.
Eventually, though … eventually, what you learned in your mind, you trained your body to do and you rode that bike. You got excited and probably screamed at the top of your lungs in happiness and exhilaration because, by God, you rode the bike. And you probably crashed. But for a moment, you rode that bike and you were the king of the world as Jack said in Titanic.
You learned, mentally, what to do. You trained, physically, to be able to do what you learned.
So far: learning is mental and intellectual, and training is the continued attempts to do what you learned.
Life isn’t only about learning things and training is not just physical. It’s also about training your mind and your body to do things.
Early in life, I was not all that great at math. Two plus two equaled four like it is supposed to, but multiplication and division and algebra were struggles to learn. Being told four multiplied by four is sixteen is great but being shown was better. Being shown was great but given problems to solve was better. I also hated it. The higher the numbers got, the more difficult it was for me to learn their totals. You want me to multiply eight by nine? Are you serious? Are you some sort of math psycho who relishes the struggles of us non-mathites?
I also found math boring.
Then I started watching sports. Sports is all about math. The scores are done in numbers. The statistics are all numbers. The records are numbers. Numbers. Numbers. Numbers.
In order to understand statistics, I sat down in my room with a pencil and paper and wrote out the multiplication table, starting with one and going to twelve. I struggled with it until I realized that each number was simply added by the number of its multiplier (something the teacher could have explained and I probably would have understood a lot quicker). For example: six multiplied by seven is six added up seven times. 6+6+6+6+6+6+6= 42. I then wrote out every problem as I did in that example in the last sentence. I added them as if they were simple addition problems.
By doing it that way, I trained my brain to add quickly. So, if someone said, ‘Hey, add this up for me,’ then tossed out a few numbers, I was/am able to tell them the answer fairly quickly.
Learning the multiplication table wasn’t difficult, but it took training my brain to process those numbers for me to learn math. Now, math is second nature to me, and I can usually spout the answers off without much thought.
Training is mental as well as physical.
As we get older, learning and training become more difficult, not because it is, but because we make it difficult. I’m too old to learn new things. We make excuses as to why we can’t do something. For most of us the truth is we don’t want to learn something new, we don’t want to train our brains or our bodies to do something new. And that’s where we fail, not just in learning, but in becoming better at something … anything. It’s arrogance. It’s ignorance. It’s laziness.
Are you still with me? I hope so.
I have a friend. Yes, just one. His name is Dameion. We both write and we both have our own viewpoints about writing and storytelling. (For the record, Dameion is one of those writers I am envious of. His words just spill off the paper.) He’s like a brother to me, one I never see, but talk to when we are both available. We were talking recently about writing. You learn how to write in school—or at least you used to. You learn basic sentence structure and punctuation but that’s pretty much it. Most of this stuff you forget. Why? Because you are told about it, not shown how to do it. When you are shown, you’re only given a handful of assignments or opportunities to actually practice it. You take a test, pass or fail, then move on to something else, so it doesn’t stick.
What sticks is when you physically do something. By physically doing something repeatedly, you train your brain and your body to remember how to do those things. It becomes muscle memory and you do it without thinking once you’ve practiced it. For example: they say once you learn how to ride a bike, you never forget. You might get rusty, but if you learned how to ride a bike at six and you stopped riding a bike at sixteen, at fifty-three you will be able to get on a bike and ride it. Muscle memory.
Telling a story, orally, is easy. If you’ve ever told a good joke, then you have told a story. Why did the chicken cross the road doesn’t count. Okay, fine, we’ll let it count, but only if you told it to someone who had never heard the joke. Good luck with that.
When you verbally tell a story, you get into it. You add little things to show the person (or people) listening something about where you were or what was going on. You can become animated with hand gestures and tone of voice and facial expressions. By doing all of this, you show your listener(s) the story. If you are really good at it, you can be a comedian.
You learned how to tell a story by listening to others tell stories. If they were good at it (as my grandfather was), then you will pick up some good pointers by watching them. If they were bad at it, then the lessons you pick up will not be the ones that help you tell a good story. When you’ve seen someone who can speak, either in public or private, it doesn’t mean you can become a great speaker. It just means you have seen someone else do it right. It is up to you to gleam what you can from it and practice what you learned. The practice aspect is part of the training. It’s where you train your mind to think, your voice to have tone, your facial expressions and hand gestures to be coordinated with your words.
Writing is the same. A lot of your learning comes from reading. You learn neat turns of phrases, styles, descriptors, pacing, dialogue, and plenty more from reading. The trick is to not just learn these things, but to practice them.
When I wanted to become a better writer, I picked the brains of other writers. I asked questions and read stories that were suggested to me. If I wanted to know about dialogue, I asked questions about it, then I wrote stories that were dialogue heavy to see if I could move the story along using conversations. If I wanted to learn descriptions, I asked questions about it, then wrote stories heavy on descriptions, then flipped the script and wrote stories light on descriptions in order to try and find the sweet spot for descriptions. The talking to writers and gathering information was the learning part. The putting words to paper and writing was the training part.
Then came the practicing.
Are you still with me? Hang on a little longer. We’re nearing an end to this (probably) confusing topic.
Practice is honing what you have learned and trained yourself to do.
I was a good basketball player. When I was a kid I loved Len Bias, who played for the University of Maryland. He was smooth and fascinating to watch. He was, in my opinion, the greatest basketball player to never play in the NBA (he died of a drug overdose the day after being drafted by the Boston Celtics—I cried). Though I wasn’t a fan of the University of Maryland, I watched their games when they came on television just so I could see Bias play. I paid close attention to the way he shot the ball, the way he played defense, the way he moved up and down the court. Then I would go outside and try to teach myself what I saw him do. After a while, I moved on to other players who did things that interested me. Jeff Lebo played for the University of North Carolina and was a great outside shooter. Michael Jordan (come on, do I need to say who he played for?) was a phenomenal defender and a better passer than most people give him credit for.
I watched them to learn what they did. I trained myself by trying different ways of doing what they did. I practiced daily.
Practicing something you have learned and trained on will only make you better.
All of this points to one thing in particular: training your brain. When you train your brain, it becomes muscle memory after your body is trained to do it. All of us have something we are good at, but we didn’t get good at just by saying we were going to be good at it. We became good at it after we learned, trained, and practiced. All of that starts with your brain, with a thought your brain has, with you putting forth the effort to learn, then applying what you learned.
The bottom line to the previous 2300 words is this: if you ever want to be good at something (you know, like writing), you need to learn it, train yourself to do it, then practice at it. Hmm … I probably could have just said that to start with …
Until we meet again, my friends, be kind to one another.
Mike sits in the dark. He always does on this day. It doesn’t matter hlong its been or how long it will continue to be. It doesn’t matter how many years have passed—19 as of today—the pain is still there, like a fresh wound, always open and no amount of bandages or medication can help it heal. He knows. He’s tried several remedies since that Tuesday morning 19 years ago. Alcohol didn’t work. Neither did cocaine. All those did was cause him to lose his job for a brief period of time, at least until he got out of rehab clean and sober.
On the television a plane crashes into the South Tower in lower Manhattan. He’s seen this image a thousand—no, a million—times. It’s 9:02 by his watch. He pauses the video, wipes his nose with the back of one hand. In his lap is an old cell phone, one he can’t bare to let go of.
Mike closes his eyes to the still image of glass shattering and a fireball erupting in that once tall building. He takes several deep breaths as he stares into the darkness behind his eyelids.
So often people say, I remember where I was when the towers were struck by planes, or I remember where I was when the towers collapsed. Like everyone else, he remembers in clear detail where he was, but not when the towers collapsed. He knew exactly where he was when he received the voicemail on his phone, though he didn’t have his phone on him. It was sitting in his car, accidentally left behind on the passenger’s seat. He, however, was underneath a car in the shop he worked at, having just got off vacation the day before.
He slid out from under an old Buick with a leaky transmission and looked around. The garage, though full of cars that needed work done, was empty of mechanics. Earlier, the place was full of men chattering about the game the previous night. He even hard Hal McDaniels mention to Jim Brookings that one of “those Broncos receivers broke his leg.”
Where’s everyone? he wondered as he grabbed a rag from his shop rack and wiped his hands of transmission fluid. He had found the problem and the owner wasn’t going to be too thrilled. He was certain of this. He reached into his back pocket for his cell phone and frowned. It wasn’t there. Mike looked around his bay and on the floor and didn’t find it.
“I must have left it in the car.”
Mike headed for the office, a little unnerved by the silence of the usually busy, loud shop. He rounded the corner and left the garage. It was 9:49 when he entered the shop’s office. Where’s everyone turned out to be in the office around a flat screen television mounted on the wall.
The room was a silence so loud it was deafening.
“What’s going on?” he asked Jim.
“A couple planes crashed.”
“Shhh …” Brock Charmine gave the universal get quiet gesture of his finger to his lips.
“I’m going to get my cell phone out of my car, okay?”
Jim nodded but didn’t look back. It was 9:51.
From the office to his car and back took him seven minutes. Seven ho hum minutes that he—and no one—would ever get back. He didn’t know why the phone was off when he plucked it from the seat. He pressed the button on the side and walked back to the office as the phone booted up.
He clicked on the voice message icon and pressed play. As Kimberly’s voice came through the phone, he looked at the television.
“Is that the World Trade Towers?” he asked aloud, not meaning to.
“Yeah,” Jim said without turning around.
Over the phone, the message played Kimberly’s calm voice.
Mike, listen to me. Mike, I don’t know if this is the last time I will ever speak to you, but please just listen. I’m stuck on my floor. The building’s on fire and … and I can’t get to the stairwell from here. Just know I love you. I will always love you and for the brief time I’ve been married to you, I’ve been the happiest woman on the planet. I love you, Mike. I love you. I love you. I love you.
By the end of the call she was crying and the South Tower collapsed on the television screen.
“No,” he whispers. “No.” Tears form in his eyes. He swallows a lump in his throat and stares at the television. Other mechanics speak or cry out in horror and sadness, but he doesn’t see them or hear them or feel anything in the world but the certainty his wife just died and he wasn’t there for her. He wasn’t even there when she called him and … and she died alone without him with her or without hearing his voice.
Mike Johnson sits in the dark. From the bedroom comes the sound of his alarm clock. It is 9:58. He picks up the old cell phone and clicks the voicemail icon. He puts the phone to his ear and listens to his wife of nine days, the woman he had just come home from a honeymoon with, the woman he kissed goodbye that morning and whispered I love you in her ear before heading in.
“Mike, listen to me. Mike, I don’t know if this is the last time I will ever speak to you, but please just listen. I’m stuck on my floor. The building’s on fire and … and I can’t get to the stairwell from here. Just know I love you. I will always love you and for the brief time I’ve been married to you, I’ve been the happiest woman on the planet. I love you, Mike. I love you. I love you. I love you.”
On the television is the still image of the South Tower right after the plane struck it.
Mike feels his heart break all over again. In the dark, he weeps.