Before reading today’s post, I want to tell you about our little project. In the coming months one character from each story in my collection, Voices, will be interviewed by Lisa Lee with Bibliophilia Templum. 

No, this is not your typical interview session. What I want to do is make each interview like a story, one that continues until we reach the end. Some of these are going to be short. Some of them might be long. I don’t know. Like you, I will find out just how long each interview is based on the questions Lisa provides me. I don’t know the questions ahead of time and neither do the characters.

Since this is an interview, I will go ahead and say up front there are spoilers in each session. If you have not read Voices, I urge you to do so before continuing (you can pick up a copy here). If you haven’t read the collection, you have been made aware of possible spoilers. 

One more thing before the first session: if you have read Voices and would like to ask a question of today’s character, leave a comment at the end, and I will see about getting an answer from the character for you. Don’t be shy, ask your questions. You may get an interesting response.


She knows this one, at least that she is fragile in many ways. She is pretty, but not in a movie starlet way. It doesn’t matter that she won a big time award on a big time show. Nothing has changed about her. Her clothes are conservative, not showing off any skin, other than her hands, face and neck. She wears blue slacks and black flats. Her shirt is a long-sleeved pullover a shade lighter than her slacks. Her dark hair hangs down the sides of her face, covering the front of her shirt. 

Intentional, Lisa thinks.

“Hello, Claire.”

Claire doesn’t look away. Lisa finds this only slightly odd. Normally, those who have gone through what Claire has are usually withdrawn and shy, not wanting to discuss anything about the … assaults (yeah, that is pretty much what they are, right?), but the vibe Lisa gets from the teenager is one of desire. Desire to talk, to get it off her chest. 

“Hello, Ma’am.”

Manners, Lisa thinks. She wonders if Mom taught her those before … she shakes her head and focuses on Claire.

finalOscar“Thank you for speaking with me today. Are you nervous?”

“Maybe a little. I’ve never talked about … Dad … in a group this large.”

“Really? You’ve talked in a group before?”

“Well, the police and investigators and all the psychiatrists were in groups of at least two and sometimes six. The court room … I didn’t say anything in the courtroom. The attorneys told me not to.”

“I don’t think you had anything to worry about in court. The evidence came out about these terrible things he did to you.”

She nods, but doesn’t smile. Instead, she frowns, takes a deep breath and speaks evenly. “Well, maybe so, but the attorneys thought it best I didn’t take the stand at the trial.”

“Is it okay if I ask you some questions now?”

“Yes, Ma’am.”

“And your attorneys are okay with this?”

“I don’t know. I didn’t ask them. It doesn’t matter anyway. I want to talk to someone. I need to talk.”

“Okay, Claire, let’s start with this: did you even enjoy acting?”

“I wouldn’t call what I did acting. I just did what came natural, so acting, I didn’t really act.”

“I’m sorry, Claire … I mean, did you have fun when you were working on movie sets?”



“Well, the scenes where the father would do the things he did were not fun. The ending wasn’t all that satisfying. I mean, she leaves home with the boy of her dreams, but she never got to exact any measure of revenge for what her father did to her.”

She has gone from timid a couple of minutes earlier to aggressive now. Lisa hears her words, hears what she doesn’t say and she wonders if it was revenge Claire was after or resolution. 

“So, if the acting wasn’t all that enjoyable, what was it like to play the role of Josie, a little girl who was abused, after what your father did to you?”

“It was no different than the life I led. You know?”

Lisa believes maybe she does know. She feels sorry for this pretty little girl—no, young lady—in front of her. 

“I apologize Claire.”

“For what? You’ve done nothing wrong.”

“For asking about the role of Josie.”

“It’s okay. Really, it is.”

“But … well, didn’t it just make you relive it in your head?”

Screen Shot 2018-01-06 at 2.26.45 PM“Yes. The role made me realize how bad things were, how bad my father was.” Claire pauses. She looks away, wipes her hands on her slacks and then rubs her fingers together. “He was a very bad man.”

“Can I ask you another, more personal question?”


“Claire … when did you decide to kill your daddy?”

“My dad … I’m no longer a little girl and I no longer see him as a daddy. He was my father and I associate that term as not one of endearment, but as one of being despised … and I despise him.”

Lisa nods. “Fair enough, Claire. When did you decide to kill your father?”

Claire shakes her head. “I don’t know if I ever really decided so much as I knew where he kept his gun and I knew he was the reason my mom was gone—did you know she is dead?”

“Excuse me?” This is not what she expects. 

“He killed my mom.”

“How do you know this?”

“I just do.”

“There is no just do, Claire. How do you know this?”

Claire looks at her with the sadness of a child who has lost everything she ever had. Her face is long, her brows are arches above her eyes. She shakes her head. “He said she left him for another man. She needed a different life. That is what he said.”

Lisa listens intently, her heart breaking for the young woman in front of her. She will never be the same, not because she killed her dad—no, her father—on national television, but because whatever she tells Lisa is going to be the truth, not how she sees it, how it really is.

“If Momma had left, then she would have taken her license with her. Her cellphone. Her wallet. She took none of those things.”

“How do you know?” She feels like a recording on a loop, asking the same question over and over.

“I found her stuff in a box in the cellar a few days before the awards show.”

“In the cellar?” What were you doing in the cellar, young lady? the voice in her head whispered. It doesn’t sound like her at all. It sounds like an accusation, one she thinks Claire may not be able to handle.

“Yes. I … “

Before Claire can answer, a shadow comes over her. It’s not much, but it is there. Lisa sees it and she knows Claire feels it. The young woman looks over her left shoulder, then over her right, as if someone is talking to her. 

“Claire, look at me,” Lisa says. “Look at me.”

She does, but only briefly. She shifts in her chair as if pulling away from someone. When she does, Lisa sees the shadow lean down and put its head near Claire’s ear. 

“Get away from her,” Lisa yells. She stands, but doesn’t walk toward Claire and the shadow. Part of her wants to grab the teen and pull her away. The other part wants no part of the shadow. Fear holds her for several seconds. “I said get away from her.” This time she does take a step forward. 

The shadow shimmers, then pulls away. It solidifies for fifteen or so seconds and Lisa sees it is Mr. Worrywort and he is smiling. 

“Get away from her.”

Mr. Worrywort’s smile is hideous, dangerously electric. He puts a hand on Claire’s shoulder as if claiming her for himself.

The fear in Claire’s eyes is sudden. They grow wide and her mouth pinches shut. Her chest heaves and she holds the breath.

“Tell him to leave, Claire,” Lisa says. 

Mr. Worrywort whispers in her ear. She lets the breath go and closes her eyes.

“Are you going to send me to jail?” Claire asks.

Lisa’s nose crinkles up at this. At first she doesn’t understand the question. She won’t go to jail. She knows she won’t. The legal system did  its job for once and … No. It’s him. Mr. Worrywort. He is doing this …

“Claire, no one is sending you to jail. You’ve paid your price for what you did.”

Mr. Worrywort leans down again. Claire shakes her head.

“Claire, don’t listen to him. He’s not on your side.”

“Are you?” she asks.

“Very much so, but I can’t help you if you don’t tell him to get away from you, to leave you alone.”

Help? I’m not here to help. I’m here for answers. What is …

You must help her. She looks around, searching for the voices, though knowing they are in her head or on her shoulders or just out of view like all voices tend to be. One came through stronger than the other. Help her!

It comes to her what she needs to do. Lisa walks over to Claire and puts her hand out. “If you will just trust me, he will go away.”

Claire stares at the hand as if it is a snake, as if it is about to strike her and sink its long fangs into her hand.

Lisa extends her arm further. “He can’t hurt you if you don’t let him. All he does is whisper lies into your ears.”

Claire visibly swallows, glances over her shoulder. Though Mr. Worrywort is no more than a shadow again, he is still there, his venom-like voice in Claire’s ears. Tears trickle down her face. 

“Claire, the voice in your head, the thing over your shoulder … it is your father.”

The young woman jerks as if she had stuck her tongue to a battery. Her hand goes out in front of her, gripping Lisa’s tightly. When this happens, Mr. Worrywort growls in anger. His shadow flees back to the corner as if being banished. 

Claire’s face shows relief. She shivers and then laughs. “How did you know?”

Lisa shrugs. “I didn’t.”

After a minute goes by, Lisa asks, “Are you ready to continue?”

Claire gives a nod. “Yes, Ma’am.”

“Why were you in the cellar, Claire?”

“I was looking for the cleaner—my father never kept it in the living rooms of the house, only in the cellar. When I didn’t find it on the shelf where it normally was, I looked for it, and came across the box at the bottom of a shelf unit.”

“At the bottom of a shelf unit?”

“Yes, Ma’am.”

“You didn’t believe your mom had ever left home, did you? After all, what loving mother would leave their child, right?”

“Right. And I was right. She never left. What person, when leaving forever and ever and ever, wouldn’t take their cell phone, wallet and i.d.?”

”One who never left.”

Claire nods. Her lips are a thin line across her face. 

“Claire, did killing your father really make you feel better?”

She doesn’t smile, this teenager. She only looks up at Lisa and says, “Yes. Yes, it did.”

“How?  I mean, in what way? Umm… what about it made you feel the way you do?”

“I felt relief,” she says. “And like I had gotten some justice for my mom. He killed her. I killed him. If I hadn’t, he would have killed me.”

“One more question, Claire, if you don’t mind?”

“I don’t mind at all.”

“Was it the right thing to do?”

Claire and Lisa stare at each other for a minute, then two. Finally, Claire speaks, “No. The right thing to do would have been to tell someone, let the police arrest him and have him thrown in jail. But that wasn’t what felt right. Killing him felt right. It was the only thing I could have done.”

“I understand,” Lisa says, and she does. She thinks hundreds of thousands of young girls have gone through what Claire has and many of them remained scarred for their lives because of it. But Claire had faced the monster who scarred her and had vanquished it. She doesn’t feel sorry for Claire. Instead, she feels great pride and respect for her. 

“Thank you, Claire.”

“You’re welcome.”

Lisa turns in her chair, takes a deep breath and begins her next line of questions for the next character on her list.

To Be Continued …



Before reading today’s post, I want to tell you about our continuing project. In the coming months one character from each story in my collection, Voices, will be interviewed by Lisa Lee with Bibliophilia Templum. 

No, this is not your typical interview session. What I want to do is make each interview like a story, one that continues until we reach the end. Some of these are going to be short. Some of them might be long. I don’t know. Like you, I will find out just how long each interview is based on the questions Lisa provides me. I don’t know the questions ahead of time and neither do the characters.

Since this is an interview, I will go ahead and say up front there are spoilers in each session. If you have not read Voices, I urge you to do so before continuing (you can pick up a copy here). If you haven’t read the collection, you have been made aware of possible spoilers. 

You can also read the first two sessions here:
Session 1: Spencer 

Session 2: Mr. Worrywort

One more thing: if you have read Voices and would like to ask a question of today’s character, leave a comment at the end, and I will see about getting an answer from the character for you. Don’t be shy, ask your questions. You may get an interesting response.


Lisa looks away from where Mr. Worrywort slinked off to when she hears a sound. A young woman, possibly in her early twenties, but maybe even in her late teens, rights Mr. Worrywort’s seat and sets it back in the U. Others watch her, but say nothing. She is pretty, a blonde with sharp cheekbones, thin lips and hauntingly beautiful blue eyes. Her hair falls to the middle of her back and when she leans over to set the chair right it looks like a yellow veil has been placed on her head. She is petite, but not brittle in appearance. In truth, Lisa finds her very pretty, strikingly so. 

“Thank you,” she says to the young woman.

“You’re welcome.” She is polite and gives a slight curtsy with her statement.

“What’s your name?”

Screen Shot 2018-01-06 at 2.26.45 PM“Lena.”

Ahhhh … Lisa thinks and looks around at the faces of the other characters. She had expected Nothing to be here, not Lena, but she doesn’t see anyone who might fit his description. 

“Hello Lena.”

Lena nods, “Hi.” Her cheeks turn pink and she looks down at her hands. She twists several of her fingers together, almost as if she wants to turn them into knots.

“You’re … umm … you’re Nothing’s girlfriend, right?”

The pink in her cheeks darkens to two blossoms of red. “Yes, Ma’am,” she says without looking up.

“You know, Lena, you and I have something in common.” 

 Lena looks from her hands up at Lisa. Their eyes meet and Lisa sees the clear blue of Lena’s and it almost takes her breath away. 

No wonders he loves her.

“We do?”

“Yes. We both believe in loyalty.”

Lena doesn’t respond to this.

“You are very loyal to him, aren’t you? Loyal to Mr. Nothing?”

It sounds weird in her own ears. Mr. Nothing, as if the boy this girl loves is nothing … nothing to her, nothing to anyone. Adding a prefix to his name doesn’t change the way loyalty to nothing sounds to her. A tinge of sadness touches her heart. 

Lena shrugs. She is looking at her hands again. 

“Loyalty is … loyalty is good. It’s a good thing, Lena. Don’t you think so?”

“I guess.”

Lisa take’s a deep breath, let’s it out as a loud sigh. Just ask her the other question.

“So, Lena, I was wondering, are you actually into his fetish for cutting and scarring, or do you participate in it out of loyalty?”

Lena’s bright blue eyes grow wide, her mouth drops open. She closes it, then shakes her head. “I … I …what?”

“Do you not understand the question?”

Lena nods. “I … I understand it, but it’s … it’s not a fair question.”

“It’s not?”


“Okay, okay,” Lisa says. 

“You wouldn’t understand.”

Lisa smiles softly. Maybe I shouldn’t have been so direct. “Look, I do understand what happened. I really do. But, what is in your past that you would embrace a relationship with someone like him?”

“Someone like him?”

“Yes. Someone like him. I mean, do you even know his real name?”

“His real name?”

“You know, he has to have an actual name. Nothing? Really? Is that his real name? It can’t be.”

“I … I …” She looks around. Her hands clench together. Lena’s neck twitches. She bites her bottom lip and one of her feet bounces on the floor. 

She’s freaking out, Lisa thinks. She starts to speak, to try and calm the young woman down. “Lena, it’s okay …”

The door opens. In steps a tall young man. He is lanky and has no hair. A loop earring is in his right ear. He wears a long-sleeved gray shirt buttoned all the way to his throat, and baggy black pants. There are no shoes on his feet. There’s a puckered scar along his chin and others pocking his cheek and neck, and one directly under his right eye. He closes the door gently behind him and walks over to the U shaped group. He grabs the chair Lena had righted minutes earlier, the one Mr. Worrywort had cast aside when he abruptly stood and slinked off to the corner where he, no doubt, sits, staring and listening to the voices of the rest of the participants in this … group interview. But is that what it is? Lisa isn’t too sure. She thinks it is more like a group therapy session, with each person here dealing with their own demons, trying to escape their own pasts, escape their own presents, and maybe forget their own futures.

The young man picks up the chair and walks down a few spots. He looks at the guy sitting next to Lena. “D’you mind?” he asks and nods for the kid to move down. The boy says nothing, only moves his chair to the right. The person next to him does the same; all of them do until the gap left from the empty spot Mr. Worrywort had vacated is closed. The young man sits down, looks at Lena and takes her hand. 

“It’s okay, Baby,” he says and he sounds like he is not just in love with her, but is her protector, maybe even her savior. Or maybe it is the other way around.

“Mr. Nothing, I assume. Good of you to join us.”

Nothing looks at her, but there is contempt playing on his face, a sneer on his lips. Like Lena, his eyes are captivating. Unlike Lena’s, his are green. He looks back at the pretty girl, whispers something to her. She whispers back, then cast a mournful glance toward Lisa.

“Why?” he asks Lisa.

He catches her off guard with his sudden question. It strikes her as an accusation, as if she has done something wrong, and not him, the young man who mutilated his father with the broken neck of a beer bottle. “Why what?”

“Why did you try to hurt her?”

“I wasn’t trying to hurt her. I meant no offense. Really.”

He whispers to Lena again. She nods, but she doesn’t smile.

“You have questions?”


“I do, too.”

“Okay, Mr. Nothing—“

“It’s Nothing. Just Nothing. No mister, no last name. Just Nothing.”

“Okay. Nothing it is,” Lisa responds, then adds, “I was actually hoping to get to speak with you.”

“I’m here.”

“Okay,” Lisa says and licks her lips. She wishes she had a notepad with a list of questions on them, but she hadn’t been prepared to step into the room, not like this at least. “Like I said to Lena—“

“Do you love?” Nothing asks, interrupting her. 

“Do I love?”

“Yes. Do you love?”

“I love my husband.”

“No. Do you love?”

Lisa shakes her head. “I just told you I do.”

“You said you love your husband.”

“I do. Very much so.”

Nothing laughs. “You love … a person. But do you love?”

“Yes. I love. Deeply.”

Nothing and Lena exchange glances. One side of her lips curl up. Her eyes aren’t quite dazzling, but Lisa sees something in them that could be good for her. 

“Ask your question,” Nothing says.

“Okay. As I was telling Lena, I understand why you felt the need to do what you did.”

“What did I do?”

“Excuse me? What did you do?”


“You killed your father.”

“You understand what that is like?”

“I said I understand why you needed to kill him.”

“How? How could you know that?”

“I just do.”


“I …”


“There’s only one way I COULD understand isn’t there!?” She clenches her teeth. She fights back the urge to stand and walk up to Nothing. She fights the urge to slap him hard across his pale, scarred face. She fights the urge to say ‘screw it, I’m done,’ and leave the interview and not look back. She can. She knows she can, but she doesn’t. Instead, her jaw relaxes and she takes a deep breath, letting it go before speaking evenly, “I apologize for the outburst, Nothing. I won’t claim my … um … history is quite the same as yours, but I do understand the impulse, the desire to fix something or right a wrong or just get good old fashion revenge on someone. I just never would have followed through with such compulsions. All I really want to know is … why? Why would you follow through with it?”

Nothing eyes her. His jaw moves from side to side. He is leaning forward in his chair, his elbows on his knees. Lisa sees him then for who he is: a scared child just looking for love and acceptance. 

“You say you understand.”

“I do.”

“Then answer me this: Do you hate?”

It’s Lisa’s turn to laugh. She brushes a lock of dark hair from her eyes. She is not smiling when she responds. Even if she wants to, she doesn’t think she can. “Do I hate? Oh, I did. Oh, I most certainly did. And sometimes I still do.”

Nothing nods. “Me too.”

“The difference between you and I is I never let it consume me. I certainly could have, maybe even should have. But I didn’t.”

Silence fills the room. With the exception of a gleeful laugh from Mr. Worrywort in the corner, there are no sounds to be heard. 

“It’s your turn to answer my question: why did you follow through on your compulsion to kill your father?”

Ten seconds pass. Twenty more follow. A full minute of silence ensues. Nothing stands. He unbuttons his shirt and slips it off his shoulders, dropping it to the floor. He wears a white t-shirt now. He pulls this off as well. There are several audible sounds of disgust and wonder and shock from the other characters. 

Nothing doesn’t stop there. He unsnaps his belt and the button that holds his pants closed. He unzips and drops his pants. He steps out of them and stands before them as naked as the day he came into the world. Nothing lifts his hands out to his side and slowly spins around for each of them to see the multitude of scars lining his body, the puckered, discolored skin that will never be smooth again. 

When he has come full circle, he bends down, picks up his pants and slides it back on. He sits down, but doesn’t move to put either of his shirts back on. 

“This is me. This is who I am. I am hate. I am nothing. And he made me this way.” He pauses, looks at Lena. She nods. The look on her face is hopeful, like a mother’s would be if her child was afraid of something and finally facing it. “He was my hate and as long as he was alive, I could never love.”

“Why involve her?”

A smile, genuine and warm, crosses his face. “Because she is my love. Without her, I couldn’t have faced him and I would still hate, not just him, but myself, my life. Now … now … I love.”

“I can see that,” Lisa says. It’s true. She does see what most probably have never glimpsed. She also knows a truth she didn’t before. It is Lena who helped Nothing overcome his fear, overcome the monster that had stalked him his entire life with words of hate and loathing. It wasn’t his idea to kill his father. It was hers. And he had followed her lead and allowed her to scar him, not the way his father had, but with their version of  affection. “I have one more question, if that is okay?”

“What is it?” He is holding one of Lena’s hands now. His leg is next to hers, his foot touching hers. There is no doubt in Lisa’s mind that they are meant to be together, that they are destined for one another. 

“Nothing, what is your real name?”

He stares at her, as if contemplating the meaning of life. Lisa thinks he knows the meaning. It is love and not much more.

“Honestly, I don’t know. I thought I might remember after he died, but I don’t. As far back as I can remember, my father called me nothing, so nothing I became. I am Nothing. No one else. There is no other name.”

Lisa smiles at this. It is a truth, and if not, then it is the truth she will take with her when this is over. “Fair enough, Nothing. Thank you for your time. And, Lena, thank you, also. If I upset you, I’m sorry.”

“It’s okay.”

Nothing and Lena look at each other, their eyes lock and remain that way for several seconds. Finally, Lisa pulls her own gaze away and settles them on the next person she has questions for …

To be continued …


Before reading today’s post, I want to tell you about our little project. In the coming months one character from each story in my collection, Voices, will be interviewed by Lisa Lee with Bibliophilia Templum. 

No, this is not your typical interview session. What I want to do is make each interview like a story, one that continues until we reach the end. Some of these are going to be short. Some of them might be long. I don’t know. Like you, I will find out just how long each interview is based on the questions Lisa provides me. I don’t know the questions ahead of time and neither do the characters.

Since this is an interview, I will go ahead and say up front there are spoilers in each session. If you have not read Voices, I urge you to do so before continuing (you can pick up a copy here: https://www.amazon.com/dp/B07BJ73QP9). If you haven’t read the collection, you have been made aware of possible spoilers. 

One more thing before the first session: if you have read Voices and would like to ask a question of today’s character, leave a comment at the end, and I will see about getting an answer from the character for you. Don’t be shy, ask your questions. You may get an interesting response.

SESSION 2: Mr. Worrywort

Lisa takes a deep breath. She didn’t expect the defiant tone in Spencer’s voice. She didn’t expect him to sound as if he enjoyed what happened to Sarah and Bobby. She wonders, very briefly, if Spencer knows Sarah didn’t die. Oh, Bobby had and he had suffered greatly before doing so, but Sarah still lives and is currently housed in the Century Falls Mental Institute, a place surrounded by brick walls that span twenty feet from the ground. One could try to climb it, but with no foot or hand holds and the top laced with razor wire, no one is getting in or out that way without paying a painful price. 

She releases the breath and looks around the horseshoe shaped chairs. Fourteen are occupied. The one where Spencer had sat seems, to her, to have never had anyone occupying it. The cushioned yellow seat appears bland compared to the others. The brown of the metal legs are lighter than the others. Lisa shakes her head. 

It’s all in my head.

The faces of the other fourteen individuals in the room are turned in every direction except toward her. One of them … one of them looks different. She cocks her head to the side and stares at him. She doesn’t recognize him from the character sheet she had been given before arriving. 

“You,” she says. 

The man she speaks to flinches, but doesn’t look up.

“Excuse me. Who are you?”

“That is Mr. Worrywort, Ma’am.” 

Screen Shot 2018-01-06 at 2.26.45 PMTo her right a man whose skin is like mahogany sits forward in his seat. His elbows rest on his knees and his hands are clasped together as if he is about to pray. He looks as if he has worn life on his shoulders and the weight is pulling him down. 

“Mr. Worrywort?”


“How do you know that, Sir?”

The old man smiles. His teeth are yellow and there is only a twinkle of hope in them. “We all has a bit of Mr. Worrywort in us, Ma’am. It’s our thinker.”

Chet! her mind screams. The sudden realization strikes her and she knows the questions she needs to ask.

“Mr. Worrywort?” she asks. 

This time the man looks at her. His features are plain, almost nonexistent. She studies him for a few seconds. She sees his eyes and nose and even his lips, but she can’t make any of them out. She knows that later when she tries to recall anything about him, she won’t remember. 

Sometimes, remembrances are not good, she thinks, then wonders if the voice in her head is her Mr. Worrywort, or in this case, a Mrs. Worrywort. She licks her lips and speaks again. 

“Are you still willing to speak with me?

He nods. 

“Thank you. I will keep this short. Okay?”

Another nod.

“You are the inner voice of Chet, right?”

This time he shrugs, then nods. “I suppose so.” His voice is monotone, flat, a voice she won’t remember. 

“Is ‘inner voice’ the correct title for you, or do you prefer something else?”

She hears him take a deep breath. When he releases it, his words come with it and there is a touch of resignation in them. “That’s what some people call us. Others say we’re this thing called a conscience.” He makes invisible quote marks in the air, using two fingers on both hands to do so. “Some people see us as a devil or an angel who resides on their shoulders. However, most people call us demons, and use us as excuses for why they do bad things or do nothing at all. Chet calls me Mr. Worrywort because I try to warn him when he is about to make a bad decision.”

“I’m getting the feeling you don’t care much for Chet.”

He smiles. This she sees. It is plain … nothing worth remembering. “I care quite a bit for him. After all, without him, I do not exist. I’m like a rudder on a boat meant to steer the vessel on its course and out of trouble. Some people’s rudders are broken. They are tired or even lazy. They’ve given up on their vessel, so they let them float in the waters, near the rocks, into storms. I … I don’t do that. I do my best to steer him clear of bad actions.”

Lisa’s lips purse for a second, maybe two. “Do you feel like Chet listens to you more or ignores you more?”

“He …” Mr. Worrywort pauses. “He used to.”

“Used to?”

“Yes, before he married that woman.” There is anger in his voice, a true emotion, though some might say it’s not a real feeling at all, but a secondary one, something easily controlled and is never truly felt. 

“You mean Kay?”

“Yes, she is who I’m talking about.”


absolutely-ideas-hercules-folding-chairs-i-have-destroyed-scribblings-in-the-dark“It’s not interesting!” he yells. The room shakes. The characters in the other chairs are all looking at him now. Some of them look fearful, while others look bored or amused. “She’s going to get us killed one day. She’s almost gotten us killed a couple of times, but the last time … the last time was the worst. ‘Let’s take a trip,’ she said. ‘It will be fun,’ she said. ‘If it snows I’m sure we can find something to do.’ She said that all flirty-like, knowing Chet wouldn’t—couldn’t!—resist her. It was snowing! I hate driving in the snow. But Chet wouldn’t listen, you see. Chet was all, ‘okay, Babe,’ and she almost got us killed.”

“I don’t see how she almost got you killed, Mr. Worrywort. Chet made a decision—it was his choice.”

“He ignored me because of her! If not for her, we wouldn’t have been in that situation.”

“I see. So, since he married Kay, he ignores you more and more. Is that what you are saying?”

His arms are crossed over his chest now. His legs stretched out and crossed at the ankles. “Yes, that’s what I said. If he would have just listened to me when his friend offered to ‘hook them up’ we would never have to deal with the things she does and the danger she puts us in.”

She nods and shifts the conversation slightly away from Kay. “How do you feel when he ignores you?”

Mr. Worrywort laughs. It is much like Spencer’s and something she feels is a sign of a deteriorating conversation. His chair creaks when he sits up. There is a frown on his face that appears to have been carved into his nonexistent features. “How do you feel when someone ignores you?”

Her first thought is, I ask the questions. She doesn’t say that. Instead, she answers him. “I don’t like it.”

“You don’t like it?” Another of those angered laughs comes out. “I hate it. I loathe it. How can you ignore someone who is always right?”

“But, are you really always right?” It is out before she processes it. Again, she wonders if her inner voice came up with that one.

Mr. Worrywort says nothing right away. He appears to be thinking on it, or maybe stewing about the truth. 

“When it comes to Chet, I am always right. Always.”

“I think Chet would beg to differ with you there.”

A black cloud of anger hovers on Mr. Worrywort’s face. His breaths are loud, in/out, in/out, the sound of a freight train chugging along the tracks. 

“What do you know? What do you know about me or Chet or anything for that matter?”

Lisa smiles at this. Though she doesn’t want conflict she thought there could be some before arriving there that morning. The subjects are touchy and the characters have been through more in a span of four to twenty thousand words than the average person goes through in a week. But this guy … she knows exactly what this guy is. She has come across his type many times in her life.

“I know you are manipulative. I know you get angry when you don’t get it your way. And I know you are selfish and self serving and don’t have Chet’s best interests in mind.”

“His interest is the only thing I have in mind!”

“No, Sir. Your interests are what you have in mind. You are afraid to live. Kay is not and she has shown Chet not to be afraid to live, to laugh, to love and to care. Maybe you should take a lesson from her inner voice, or maybe your own.”

“I don’t have an inner voice! None of those like me do.”

“Maybe that’s your problem. Maybe you need one.”

“I’m done here,” Mr. Worrywort says. He stands up in a hurry. The chair pushes back, tilts on its back legs and falls over, folding in on itself. Mr. Worrywort turns, shoves the fallen chair with one foot. It scrapes across the tiled floor. He doesn’t go to the door. Instead, he hurries to one darkened corner and fades into the shadows.

Lisa stares to where he went. One thought enters her mind. I can see why he might be called a demon …

To be continued …

A Little Bookstore

Posted: May 28, 2018 by ajbrown in Reading
Tags: , , , ,

When I was a child Sunday’s were lazy days. Most stores were closed. If you didn’t get your groceries during the week, you were mostly out of luck. You certainly couldn’t get alcohol on Sundays. For us, Sunday meant watching football, playing outside and reading, the reading being the chief pass time.

ithink-thereshould-be-a-toidaydedcated-to-reading-book-s-everyone-23441056My parents piled us into the car on Sunday afternoons and took us to this little book store out on Edmund Highway. It didn’t look like much—a small building that could have passed for a convenience store minus the glass windows in the front. It was owned by a couple who I only knew as Al and Laura. To get an idea of who they were, when I think of Al I think of Edward Hermann. Laura always reminded me of a white Uhura from Star Trek. Both of them were very nice.

Al and Laura didn’t peddle new books, they sold used books, which made the prices cheap, cheap, cheap. They had a great return policy also: you bring in a book, you get a credit toward other books. Each Sunday we gathered our books and comic books and turned them in. Then we used the credit to purchase more. In essence, it was a trade in system. There was a nice little perk to it: if you didn’t have money, all you had to do was trade in a book or two and you could get a book or two in return and not spend a dime.

Mom and Dad looked through the novels and my older brother and I always headed to the back where they kept the comic books. Dad always told us how much credit we received for our comics and we would pick out the same amount worth (with the occasional little bit over when we had extra money). I was into the vampire and horror based comics. I can’t remember what my brother was into. 

After checking out, we headed home and spent most of the rest of the day reading comics (and later, novels). Sometimes, if we wanted to be nice to each other, me and my brother traded comics.

Going to Al and Laura’s store was something I looked forward to each week. I was always disappointed when we didn’t go. It’s a slice of my childhood I would love to revisit. 

Al has since passed and I’m not sure if Laura is still alive. The store is long gone, taking with it one of the joys of my childhood.

onebcToday, a lot of the old bookstores are gone. The brick and mortar places have given way to the digital era. There aren’t many Mom and Pop stores like Al and Laura’s, and I don’t know of any system like theirs: bring a book, get a book in return.

When we were kids, our parents had us reading, if not during the week, then every Sunday. Those lazy afternoons are where my imagination got its exorcise, where my love for scary literature was cultivated. 

The reading population is dwindling, and as a writer, that’s a sad thing. It’s even sadder to hear, ‘I love to read, but I don’t have the time.’ Don’t have time to read? This is the world we live in. We read every Sunday for hours at a time. 

I enjoy reading. I enjoy dipping into someone else’s world. I enjoy the harmony of words, the beauty of a well-written story, the coming to life of characters. I owe that to my parents and Al and Laura, the owners of a little book store on Edmund Highway. Today, I want to encourage you to stop at some point during the day (or maybe just on Sunday afternoons), grab a book, sit and read. Let yourself relax—the world will still be there when you finish. 

Until we meet again my friends, be kind to one another.



Screen Shot 2018-01-06 at 2.26.45 PM.pngBefore reading today’s post, I want to tell you about our little project. In the coming months one character from each story in my collection, Voices, will be interviewed by Lisa Lee with Bibliophilia Templum. 

No, this is not your typical interview session. What I want to do is make each interview like a story, one that continues until we reach the end. Some of these are going to be short. Some of them might be long. I don’t know. Like you, I will find out just how long each interview is based on the questions Lisa provides me. I don’t know the questions ahead of time and neither do the characters.

Since this is an interview, I will go ahead and say up front there are spoilers in each session. If you have not read Voices, I urge you to do so before continuing (you can pick up a copy here). If you haven’t read the collection, you have been made aware of possible spoilers. 

One more thing before the first session: if you have read Voices and would like to ask a question of today’s character, leave a comment at the end, and I will see about getting an answer from the character for you. Don’t be shy, ask your questions. You may get an interesting response.


The doorknob is cold to the touch. Lisa let her palm linger as she takes a deep breath. She closes her eyes and gathers her thoughts. Beyond the door are the people she was sent to talk to, to interview. 

“You can do this,” she says and takes another deep breath. Forcing a smile, she turns the knob and opens the door. 

A room with gray walls and dirty white tiles greets her. The lights overhead are fluorescents and casts dim shadows into the corners where she imagines cobwebs cling to the ceiling and spiders caress the carcasses of dead bugs before eating them. There’s not much in the room. A brown piano along the right wall, its ivory keys yellow and its ebony ones having lost their luster. A table sits to her left, complete with clear plastic cups containing water and various juices. There are no snacks to be seen. 

In the center of the room are sixteen folding chairs, each one upholstered with cushions a shade of yellow out of the seventies. Stuck to the backs of each chair is a sticker that says Holly’s Mortuary. Fifteen of them form the shape of a U and are occupied. One of them—the one in the center—is not. 

Lisa doesn’t focus on any one of the fifteen people waiting for her, each one in their own little world, recalling the stories of their lives, possibly in vivid details, possibly through hazy clouds of the thing we call forgetfulness. Women. Men. Children. They all turn and look at her when the door closes with a click that is too loud in her ears. Her smile falters, but not for long. She forces it back in place, straightens her shirt and walks toward what she calls The Fifteen. She reaches her chair, turns and sits down. 

Scanning the room, she takes in the blank stares, resentful faces, some even with a touch of sadness filling their eyes. She settles on one individual, a young boy in his mid-teens and a pimple on the side of his face. She considers him for a moment. He is not fat, but he is not thin either. Most would call him chubby, something she knows bothers him. He stares at the floor, at his shoes. One of them is untied, the loose ends frayed

“Spencer,” she says and waits for him to look up. When he does, she sees the circle of gray beneath his eyes. “Hi.”

He says nothing, but he does frown, an expression that reminds her of Eeyore from the Winnie the Pooh cartoons. “I understand you are a good student. Is that right?”

He looks at her with those sad eyes.

“Well? Are you a good student?”

Spencer nods. It’s a jerky sort of motion. “Yes … yes, ma’am.”

Lisa smiles. It’s a start. “Good to hear, Spencer. So, what do you do for fun? Any hobbies? Extracurricular activities?”

Spencer shrugs. “I … I don’t know. I umm … There is this place I hang out at sometimes. It’s called The Game Room and it’s … it’s where my friends and I play games. You know like Munchkin and Magic, the Gathering.”

“Interesting.” She stares at the boy. She wants to go easy on him, lob some painless questions his way so he can hit them out of the park. She doesn’t want to scare him, to make him any more nervous than he already is. 

You’re not here to be his mother, she thinks. Time to take the kid gloves off.

“Spencer, what scares you?”

photo-1504401774599-1b5378bfaae3His head jerks up. His eyes are wide. His bottom lip quivers. Lisa suddenly feels sorry for him, but she knows she can’t turn back now.

“Umm … what?”

“What are you afraid of?”

He licks his lips and then wipes his nose. He takes several deep breaths. “Umm …”

“It’s okay, Spencer. This isn’t the outside world. No one’s going to judge you here.”

“I’m scared of shadows.”


“Yes, Ma’am.”

Lisa points to one of the darkened corners behind him. “Like those shadows?”

He shrugs. 

“Is there something in the shadows, Spencer?”

He nods. His eyes focus on the corner closest to the door. 

“Are the shadows … bad?”

He looks back at her. His lip no longer trembles and his voice is soft. “Sometimes.”

It’s Lisa’s turn to nod. Her gut tells her she isn’t going to get much more out of him about the shadows. She switches gears. “What about pretty girls? Are they bad?”


“What about pretty girls named Sarah?” 

Spencer stiffens. He looks down at his hands, then back up at Lisa. “Yes.”

“You fell for the pretty girl trap, didn’t you?”

His frown deepens. He gives a nod, but says nothing.

Lisa shakes her head. “What makes teenage boys fall for the pretty girl trap?”

“I didn’t know it was a trap. She was … was so pretty and she needed help with one of her classes and she invited me over. I just wanted to help her out.”  

“Did you really think it was a study invitation?”

Ten seconds pass and he says nothing. Another fifteen follows. “I thought she liked me. I hoped she liked me. No girl has ever liked me before. No girl has ever shown me any attention before, and she … she acted like she liked me.” His voice holds agitation in it, an edge that Lisa didn’t think she could get from him. She reverses gears this time.

“So, the shadows …”

“They’re not just shadows,” he snaps. “They are shadow people and they don’t like humans. They kill. They eat. They don’t like me.”

“But they didn’t kill you?”

He laughs. “No, they didn’t.”

“Why not?”

“Well, they killed Bobby.”

“And Sarah?”

He shrugs. 

“Did you let the shadow people harm Bobby and Sarah?”

The corners of Spencer’s mouth turn up slightly. “I didn’t let them harm Bobby and Sarah. I just let them take them. It’s Bobby and Sarah’s fault they got hurt.”

“Okay. How do you feel about letting the shadow people take Bobby and Sarah?”

Another shrug. “I don’t feel anything.”

“Do you think they deserved it?”

Spencer smiles fully now. It is a haunting expression. His eyes become darker. He isn’t looking at his hands now. He is looking straight at Lisa and his face is glowing. He laughs, a sound that is disturbing to hear. “Oh, yes. They deserved it. I just wish I hadn’t been too scared to watch.”

He sits back in his chair, puts his hands on his knees. “Is that all, Ma’am?”

“Yes,” Lisa says. 

“Can I go now?”

“Yes. You can return to the page now.”

Spencer stands, nods at Lisa. He doesn’t look at any of the others in the room. A moment later he stands at the door and glances back. His eyes are sad again. “Come,” he says and motions toward one of the corners untouched by light. A shadow pulls itself from the darkness and creeps along the top of the wall, staying in the unlit areas until it reaches the door. Spencer opens it. The shadow passes over the door jamb with an angry hiss and disappears before Spencer steps through and closes the door behind him.

To be continued …


I want to tell you a short story. It may not mean anything to anyone, but I think it is important. 

keep-smiling_o_1675883There is this guy at work. He is 61 years old and has the most pleasant disposition. He believes in hard work and smiling. He always smiles and says hello to everyone he sees. I don’t think he knows a stranger. Every time I see him, he says in the most happiest of tones, “There’s my buddy!” He then gives me a fist bump and we talk for usually no more than 30 seconds. Then he goes his way and I go mine. We could see each other a dozen times in the course of a day and he always smiles, always says “There’s my buddy,” and always gives me a fist bump. 


Let’s just call this man Burt.  

Burt never has anything bad to say. He never gripes or complains. He just does his job and smiles and laughs and makes those who come in contact with him have a brighter day. If there is ever anyone I wish I could be like when it comes to being positive, it is Burt. I never come away from talking with him without a smile on my face. 

Late last year I ran into him and he wasn’t really smiling. Sure, he forced one when he saw me, but the usual exuberance in his voice wasn’t there.

“Are you okay?” I asked. Yes, I was concerned for Burt.

He said, “Do you have a minute to talk?”

“Sure,” I said. “I have as many minutes as you need.”

“I consider you a friend, and I just need to tell someone about my wife. She’s sick …”

I’m not going to go into the rest of the conversation, but I will say he had tears clinging to his eyes. We talked and we prayed and we talked some more. We even hugged. And when he walked away from me, he smiled, gave me a fist bump and said, “Thank you, my buddy.”

I watched him walk away. For the first time since I have known him, I wasn’t smiling after talking to him. I was sad and worried for him. Later that day when I saw him, he was smiling his big smile and he seemed more like himself. You see, Burt just needed to get his feelings off his chest. He needed someone to listen to him, to hear his words and to let him hurt for a few minutes. 

Since then, his wife has gotten better and he gives me reports on her when I ask (which is quite frequently). He smiles, gives me fist bumps and still says, “There goes my buddy.”

A long time ago, after maybe a couple of months of knowing Burt, I said to him, “It’s great to see someone who has such a great attitude.”

He nodded and he got real serious with me. He leaned in as if we were about to have a private conversation. “I don’t see a need to be any different.”

I don’t either.

So, what’s the point? Well, this is two fold, I guess. First, you never know what is going on in someone’s life. Maybe an act of kindness is all someone needs in order to get through the day. Maybe that person needs to talk to someone—anyone who will actually listen—in order to make it through a hard time. Second, a smile, a laugh, a joyful fist bump might just be the cure society needs. My buddy, Burt, always smiles, always laughs and is always positive, even during some of his darkest moments. He doesn’t show the world what hurts him. He doesn’t complain that life is not fair. He doesn’t say, “I wish someone else would do my job so I can sit down.” He smiles. He laughs. 

Burt enjoys life and he makes those around him better for it. The world needs more Burts. The world needs more people who will smile and laugh (not at people, but with them) and uplift others. 

There is so much in life to be thankful for, but we are too busy looking at all of the negative things. We are blind to the good things around us, but Burt’s not. 

Do me a favor. Take a minute and look at the world around you. I’m sure there is something good in it, even if it seems like there is not. I’m sure there is someone you know who might need a smile, a laugh, a fist bump, a ‘there’s my buddy.’ Take a minute and be Burt. I guarantee one thing: after smiling and laughing with someone else, you will walk away better for it. 

As always, thank you for reading, and until we meet again, my friends, be kind to one another.


On April 21st, 2018, Cate and I were at the Aiken Strawberry Festival.

I have two confessions to make. The first: I was excited going in. The festival’s home page boasted the expected amount of visitors would be between 2000 and 2500 people. For a four hour event, that is a lot of foot traffic. I was optimistic we would have a good day.

Strawberry Festival 2Now for confession number two and this is the one I hate to admit, but on the grounds of being transparent, I will. I honestly didn’t realize the event was being held at an episcopal school. Let’s think about this for a second: I write horror and I was going to attempt to sell books about the darker things in life at an episcopalian school. I honestly didn’t think this was going to go well. I mean, who is going to buy horror books at a religious school?

I hang my head in shame for thinking this. I did the proverbial judging the book by its cover. I can’t say I will never do that again, but I can say the Aiken Strawberry Festival turned out to be quite enjoyable, but I am getting ahead of myself here.

The first half hour didn’t bode well. One person came by our booth, his hands behind his back. He looked disinterested and said nothing as he walked by, even though we tried to engage him in conversation. Oh well. It was just one person, right? Then, at around 10:30 something happened. It was as if someone opened the floodgates and people flowed in on the rushing waters. 

Strawberry Festival 4Business suddenly picked up. We talked to a lot of people. We sold some books and some bookmarks … oh wait. Did you not know about Cate’s Bookmark Emporium? Cate makes bookmarks. No, these are not paper bookmarks. These are made with ribbons and charms and she can pretty much make them to order. Keep that in mind if you need or want a bookmark for one (or all of your books).

We met Tina McIntyre with Super Smart Girl, LLC. She is super nice and easy to talk to. We talked for a while and I got to meet a lot of the Super Smart Girls. 

The food was good and inexpensive and the length of the festival was just right: four hours. Though we didn’t sell as many books as we did at the State Street Soiree, we sold a comparable number based on the hours there. 

All in all, it was a great day at the Aiken … err … let me correct that … All in all, it was a great day at the Mead Hall Strawberry Festival in Aiken. 

To top the day off, Cate and I arrived home just in time to see Prettier Than Matt play a short show at the Cayce/West Columbia Riverwalk Amphitheater. 

Before I go, I want to mention how great a job the organizer of the strawberry festival did. Her name is Courtney and she was exceptionally nice and helpful and pleasant to deal with on all levels. Cate and I definitely would like to do this event again and look forward to the 2019 Mead Hall Strawberry Festival. 

As always, thank you for reading. Until we meet again, my friends, be kind to one another.


April 14th of 2018 put Cate and I at the Soiree on State/Cayce Festival of the Arts. The joint effort by the city of Cayce and the Cayce Avenues Neighborhood Association began at noon and ended a little after eight that evening. There were many vendors, food trucks and live music. 

VOICES with TypewriterThis festival was held the day after my short story collection, Voices, came out. It was the first stop on the In My Head Tour 2018. Tour? Yes, tour. You see, we are looking at each event as a stop on the Voices promotion tour. Though we didn’t have the books for this event, we had a proof copy and pamphlets we had made up about Voices. At the end of the day, many people were interested in getting the print edition when it comes in.

[[As a side note, you can find Voices on Amazon, by going here.]]

To say things got off to a little bit of a rocky start is a slight exaggeration, but still things didn’t go smoothly at first. When we arrived to check in, we were not on the list of vendors. Seriously. We weren’t. I’m not going to lie and say I wasn’t a little concerned. After a few minutes of them trying to locate our spot, they finally found a place for us.

“We’re going to put you in spot 52.”

After driving the length of the vendor section once, we doubled back and finally found the spot, pulled off the road and unloaded. We went to set up the tables and … I forgot to pack the back flap to the tent and the tablecloths. 

Blink Blink

After hurrying to the house and getting behind every slow moving vehicle on the entire planet, I arrived home, found these things and headed back. Yeah, you know what happened. I got behind every slow moving vehicle on the way back. I parked in the designated spot grabbed everything, including  Cate’s Starbucks she left in the car (this alone could have been disastrous) and walked the two blocks to our booth. Yes, I carried her Starbucks coffee like a true man: down at my side so it looked like it was just another cup.

Upon getting everything set up, we still had about half an hour or so before the event started. This gave me time to walk around and check out some of the neat things other vendors had. After perusing for a few minutes, I made my way back to our tent and sat with Cate until people began to show up. Then, I guess you could say it was showtime, though I don’t know what type of show we put on—we were just ourselves. 

Cayce Setup 2There were quite a few positives throughout the day. First, there was a ton of foot traffic. Second, we had seventy or so people stop by and talk. Third, I got to see my niece, Emmy. She is like a good luck charm or something. She is only three, but she has been to all four of the Cayce Festivals. Yes, it is possible. She was born in January and the festivals have all been in April.

A few quick things:

  • Wanda, an old friend of mine from all the way back in first grade showed up with a friend. We joked and talked about school. Then they walked off, came back later and bought a couple of books. I went to autograph Wanda’s friend’s book and realized they had not told me her name. I asked and they looked at each other, laughed and told me her name.

    “Or you can just sign it to Wanda’s Friend,” she said. I laughed, and signed it to Wanda’s Friend (yes, I did add her name in there. I’m not heartless, after all).

  • I met a woman who said she’s great at watching television. The man with her said, “She has a black belt in watching tv.” Well, that was a first.
  • We were invited to two events for authors in the fall. 
  • We sold some books. 
  • Though I didn’t get to hear much of her singing, Jessica Skinner, one half of Prettier Than Matt, played for a little over an hour. 
  • The Kinda Cheezy Food Trailer was the bomb, and not expensive, at that.
  • We sold some books. Did I say that already?
  • The police officers at the event had a long day, but they seemed to enjoy themselves. At one point they were passing by our booth dancing and having a good time. 

Cayce Setup 4One of the best things that came out of the day was being contacted on my author page by someone who had stopped by our booth and talked about books. She bought a book and took a Brown Bag Story with her. She posted on my page about meeting us  and how she enjoyed the TBBS she got. One of the great things about writing is hearing back from someone who enjoyed something you wrote.

(Just for the record, when you tell someone to reach into the coffin and grab something and they still contact you later, you did something right.)

All in all, it wasn’t a bad day. But it was exhausting. You might not think standing at a booth talking to people and selling books would be too taxing, but it wears you out. it was warm and breezy and we were on concrete. 

And we sold some books …

Until we meet again my friends, be kind to one another. 


In 1972 The Statler Brothers came out with a song called Class of 57. I was two at the time. I can honestly say this is the first song I remember hearing as a child, though probably not when I was two. Sure there were probably others. Jesus Loves Me comes to mind, but it and most songs geared toward kids didn’t stick until years later. 

Class of 57 has an innocent sound about it, one that is tragic at the same time. The song is a recounting of the kids who graduated from high school and where they were now that they were grown ups. They sing of the places some of them work: the mill, driving a truck, fixing nails, a grocery store and so on. Innocent enough, right?

After the first chorus things get a little darker. One person was in an insane ward, another one was on wellfare. One of them breaks up a marriage and takes the guy’s wife, and well, the guy left behind commits suicide. At the time I didn’t understand what the song was about. I just know it stuck with me. Growing older and living life is hard. Things don’t always turn out the way we envision them. It’s kind of ominous, you know?

I have come to the conclusion that one of the reasons I like songs with tragic lyrics in them is because of The Statler Brothers’ Class of 57. The one verse I remember, even now, is the one where ‘Freddie took his life.’ The chorus is just as tragic. ‘Living life day to day is never like it seems’ and ‘things get complicated when you get past eighteen.’

I’ve always been drawn to those types of songs. 

One such song that comes to mind is A Day in the Life, by the Beatles. The very distinct sound of this lyric painted a picture in my head: He blew his mind out in a car.  I always pictured a guy in a nice black suit in a nice box-like car sitting at a red light with a gun in his hand. Every time I hear this song, and this lyric in particular, that image comes back to me. Only now it is a little more graphic in nature.

Fast forward to the 1980’s and Video Killed the Radio Star by The Buggles. Just the title did it for me. Then the accusatory lyrics of ‘What did you tell them?’ solidified my love for the song.

Two years later another song came out that I fell in love with, not because of a tragic event in the lyrics, but because I misheard the lyrics and thought the song was about someone dying. The lyric: ‘A little ditty about Jack and Diane.’ What I heard: ‘A little ditty about Jackie dying.’ I thought a kid named Jackie was dying and at the end when Mellencamp sings about two American kids doing the best the can, I thought Jackie had died and the two kids had not been able to save him. I pictured a teenaged girl sitting on the ground by a tree and Jackie lying beside her, his head in her lap. She stroked his hair as he faded from life. 

The End, by the Doors and Bohemian Rhapsody, by Queen have equal standing in songs with tragic lyrics, though the deaths in those songs came across as intentional. 

The Offspring’s The Kids Aren’t Alright has stuck with me since the first time I heard it. The tragedy is though Jenny had a chance (you know she really did), she ended up taking her own life, much like Freddie did in Class of 57, though for different reasons. Both songs are similar in that the singer is looking back on childhood and dreams of a splendid life full of hopeful success. Yet, success didn’t happen for some. 

I could go on for pages and pages about this, but there is one more I want to mention. I’m not particularly an Ed Sheeran fan, but the song Castle on the Hill struck a chord with me the first time I heard the end of it. I almost switched the channel in the car, but when The Boy said he liked the song I left it on. Then the last verse happened and someone’s brother overdosed. I was hooked. 

Morbid, I know.

The thing I find to be common denominators in most of these songs is how life can be cruel. It can be tough. It can be heart wrenching. It can lead us down paths we never thought we would take. Things are complicated. It’s that simple. I related to these songs and many more like them because they speak about life, and they are honest by saying life is not always easy and sometimes it is tragic.

I guess that’s why I write darker stories. Horror is nothing more than a mirror of the real world outside our doors. There is tragedy in every life. I explore those tragedies, with as much tact and care as I can, just as The Statler brothers did in Class of 57. 

Thank you for reading, and as always, until we meet again, my friends, be kind to one another.


Back at the beginning of March, MF Wahl rereleased her novel, Disease, through Stitched Smile Publications. It was a long wait, but one well worth it. I had the opportunity to participate in her online release party as well as do The 5 and 3 with her. So, here we go.

The Five:

  1. We always hear the question, “Where do you get your ideas from?” What I want to know is how do you go from idea to finished story?  Mostly, I just plant my ass at my computer and write. Is there another way to do it?
  2. What is the hardest part of writing for you? Probably the planting my ass at my computer to write part. Life is demanding, and more often than not, it’s not demanding that I make time for myself to pull the words out of my head and slap them on paper … err … screen …
  3. Outside of the writing/publishing circle, when you tell someone you are a writer how do people react? How do they react when you say you are a horror writer? The vast majority of people will tell me they’re not really into horror. It’s not everyone’s cup of tea. Others are fans of the genre though, and that’s always nice.
  4. If you could meet a character from one of your stories, who would it be and why? My character Alex from my novel Disease. He’s pretty quiet, but I’m positive he has a lot going on inside his head. I think it would be interesting to discover all those things.
  5. What qualities make up your ideal reader? If someone reads they are my ideal reader. They don’t need to read my stuff, and if they do, they don’t even need to like it. Reading opens worlds and allows us to glean knowledge from just about anyone and anytime in history or future. It allows us to live other lives and partake in experiences that we would otherwise be closed off from, both real and imagined. Through it we can explore the human condition. In addition, reading fiction is proven to increase empathy, and learning to read earlier in childhood is a leading indicator of intelligence later in life. Reading is incredibly important and such a boon to human civilization. If someone reads, they are my ideal reader. Period.

The Three:

  1. If you were ruler of your country for one day and you could make one change that DISEASEbyMFWahl_Cover_Thumbnailcould not be revoked, what would it be? Any change that could be made is wrought with consequences, both good and bad, and any policy change that could never be revoked would make for bad policy. Take education, something I feel strongly about, something I feel is on the “need” list if we want a viable society. But, say we were to be invaded by aliens and required all resources for one year to go toward surviving the invasion as a country rather than education. If a policy of universal free education couldn’t be revoked temporarily we might perish at the hands of the tentacled invaders. Beyond that, every policy must be made with an idea of how to fund, implement, and sustain it at its highest ideal. I don’t think I’m qualified to make such decisions. So, I suppose I would veer away from an individual sweeping reform policy, despite the fact there are many issues I feel strongly about. Instead, perhaps I would try to install a diverse, flexible, and highly intelligent council that operated outside the influence of politics and money and that could help create policies with the public’s input for society’s good. Of course, now we’re essentially speaking about the total destruction of our current and corrupt, money motivated political system, and such an overhaul is bound also to have unforeseen consequences, although they may be preferable to the abomination we currently kowtow to. It would also likely be met with vehement opposition by those who benefit from the status quo and be susceptible to corruption in of itself. Which, I suppose would lead me to deciding that the one change made that couldn’t be revoked be that I was the ruler of my country for ever and ever, past my one day with the stipulation that I would step down from my position once I installed an new and fair system. But now, don’t I sound like a wondrous dictator?
  2. Do you have a guilty pleasure? If so, what is it? Nope. I feel no guilt about my pleasures.
  3. Can you give us one memory from your childhood that helped to shape you into the person you are now? My mother used to read to my siblings and me every night. I think that had a large impact on me and helped lead to my love of reading and eventually to writing.

Bonus question:

How does your significant other/spouse feel about your writing? Does he/she support your pursuit of writing/publishing? Of course. I couldn’t get along without the support and encouragement I receive.

You can find M.F. Wahl at her website HERE.