Posts Tagged ‘Writing’

I haven’t written anything in days. It’s not that I have had no ideas—I have plenty. I either haven’t felt well or have been tired or both. Then there is this little factor called time. I don’t always have time to put words on documents, and sometimes when I do, other things pop up. It is called life, and life often demands our attention and demands we stop our daydreaming and word-scaping. Oh the demands of reality sucketh dry the mind and energy it takes to sit and type. And don’t think sitting and typing is doing nothing. It is exhaustive work, even if it looks like it isn’t.

What I have a desire to do is tell the story my mind conjured up about a poor, ruined baseball, one that had clearly been ran over by a large lawn mower (and certainly not the push kind you walk behind).

The Girl and I sometimes go walking out at the baseball field behind the local middle school. I usually get this request to do so later in the evening, meaning we either can’t go for a walk because it is almost dark out or we can go for a walk, but a brief one. On Friday it conveniently rained and looked as if it would storm, dampening our chances of going for a walk.

A little after six, I knocked on The Girl’s bedroom door, opened it to see her sitting, cross-legged on her bed. I said, ‘Hey, do you want to go walking?’ That’s not entirely accurate. I said, ‘You wanna go walkin’?’

She shrugged and said, ‘Sure.’

‘It’s been raining,’ I said.

‘It’s just water,’ she responded.

Off we went.

Her assessment of it’s just water stayed that way and we ended up not needing the two towels I took with us, you know, just in case, it’s just water turned into it’s just a lot of water.

DSCN2605The baseball park was deserted, except for one black Grand Am sitting near the restrooms at the parking lot. We made our first lap around the track, talking about boys and other things, but mostly boys. It rained on us, but not much. Off in the distance, the clouds gave way to blue skies.

To give you a little ground work, the track we walk on is black and rubbery. I believe it to be one of those tracks made out of recycled tires. I could be wrong. In fact, I am probably wrong. The track itself circles the parking lot and the batting cages before passing through a stretch of trees. It opens up at the back end of the ballpark where the furthest of the five fields resides. It passes the Tee Ball field before entering another smaller stretch of trees, and then circles around the playground, before ending up back where we started. As you can see, it is an endless loop.

As we passed the furthest of the five fields, I looked toward the muddy ground, the grass soaked through. A trough of water ran just on this side of the fence, ending near the Tee Ball field. On the other side of this trough was a baseball. For those who don’t know, when I see an errant baseball on the ground, and there is no one there to claim it as theirs, I pick it up and add it to my collection. On this first time around the field, I left the baseball where it sat.

We made another lap around the track, this time talking about boys and other stuff, but mostly boys. The second time we passed the ball, I said, ‘Hold on a second.’ I hopped the watery trough. Thankfully, my foot did not slide and I didn’t sprawl on the ground, either landing on my butt in the pooled water, or face first in the wet grass. I plucked the ball from its spot on the ground. It was soaked through, as I thought it would be. What I hadn’t expected was to see where the strings had split and where the rawhide had been torn. Clearly, the baseball had been  struck by the sharp blades of a lawnmower.

I hopped back over the water trough. This time, my heel caught the soft part of the ground and almost sank in. I pulled my foot free, leaving behind a slight smudge of mud on the heel. Back on the track, The Girl and I continued our walk, me letting my fingers roll the ruined baseball over and over in my palm, she talking about boys and other things, but mostly boys. Every once in a while I would glance at the ball. Some of the twine had been torn loose when it had been struck by the lawnmower. The rawhide looked like puckered skin after a knife had sliced through it. In a way, I guess a knife had done its handy work on the ball.

We finished our walk and went back to the car. Fortunately for us we got back in when we did. It went from it’s just rain to someone opened the floodgates. I held the ball a little longer, looking at it. ‘Poor dead baseball,’ I said and set it in the cup holder in the center console. The Girl looked at me like I was nuts, but shouldn’t she be used to this by now?

It was a short trip home, one where we talked about boys, among other things, but mostly boys. Once home, I grabbed the ball, hurried to the front door not really trying to dodge rain drops, but not wanting to get soaked either. I unlocked the door and went inside. I looked at the ball one more time before setting it on the entertainment center right next to the DVR.

I sat to read, but my mind kept wondering back to the baseball I had found, to its flayed rawhide, split strings and ruined insides. Poor dead baseball, I told myself again.

As the night went on I kept going back to the ball, thinking of the many ways it had been used before it got shredded by the lawnmower. Then I thought of its horrific ending. He had probably been laying in the grass, minding his own business, maybe even basking in the sun, working on his tan. Or he may have been sleeping. Then he probably heard the heavy rumble of the riding lawnmower (because that is the type they use at the ballpark). The baseball probably tried to roll away, but found he couldn’t, not without the stimulus of someone picking him up and tossing him. I imagine there was a scream as the sunny world he had been laying in was suddenly dark, and then the blade struck him, shooting him out the side. He probably flew through the air at a high rate of speed, before landing near the fence where I found him. And there the ball lay unnoticed by the monster that had dispatched of him mercilessly. How many people passed him by? How many folks just thought he was a ruined baseball and not worthy of their time? How many kids walked by him, maybe even picked him up, thinking they had a ball to play with, just to see his ruin exterior and drop him back to the ground?

Poor dead baseball.

Two days have passed since we brought the tattered thing home. It has sat on the entertainment center, ‘drying out.’ That sounds so creepy, when you consider how my mind conjured up this inanimate object’s death.

Here I sit, typing these words, the baseball off to my right. I paused midway through this piece and grabbed a pencil. Taking the baseball in hand, I did what I felt came naturally. Then I grabbed Cate’s Sharpies and went to town.

I now call this baseball Dead Fred. I may also have a new hobby for my baseball collection. Time will tell.

Thank you all for reading. I hope you have a great day. Until we meet again, my friends, be kind on one another.

A.J.

Feel free to read this in the form of any action movie promo you’ve ever seen or heard:

COMING SOON TO A DIGITAL DEVICE IN YOUR HAND:

All We See is the End

runfortheflame_cover_feb19_2017From the minds of A.J. Brown and M.F. Wahl comes two horrific tales of struggle and loss you won’t soon forget.

Run For the Flame takes us into a world where an ice age has engulfed everything, driving life underground. The Sanctuary holds the last vestiges of humanity, but its walls are cracking and the ice is slowly encroaching. In their last grasp at survival, the community is forced to send their boys on an all important run for the flame … none have ever returned.

In Purple Haze, a crash landing on an uninhabited planet strands Adira and the surviving members of her crew. Surrounded by a quiet world of blue grass and purple skies, danger lurks within the beauty. Without contact to Earth and light years from home, they encounter a treacherous enemy that threatens to destroy them from the inside out.

Wahl, a #1 Wattpad featured author, and Brown whose stories have appeared in over 200 publications, use their easy styles to draw you in and hold you close. Welcome to their nightmares.

Available soon on Amazon, but you can get it free by subscribing to my newsletter at:  http://eepurl.com/cDEh9v

As always, until we meet again my friends, be kind to one another.

Through the Lens

Posted: February 27, 2017 by ajbrown in Writing
Tags: , , , , , , , ,

I’ve always felt like I’ve lived my life on the outside looking in. It’s as if I see myself and my actions through a camera lens. There is a crack that runs down the center of that lens. On the left side everything is clear and easy to see and understand. On the right side everything is blurry and odd and I struggle at everything. Very rarely do I see through the crack where everything makes sense.

It sounds crazy. I know.

dscn1629This is the way it has always been for me. It’s as if I am watching myself through that lens, whether on the left side or the right side, and sometimes in the middle. It is through that lens that I bring you this story.

[[The lens zooms in on him, possibly starting with one blue eye and then panning out, showing the blemishes of age on his face and the gray in his dark hair. It would show a kitchen, the light on, and he would be letting the dog out for the morning.]]

He has been awake far longer than he wants. His face is unshaven. He wants coffee. He wants the almost bitter taste of it, sprinkled with a bit of sugar and some cream. He wants the first hot sip and then the last deep warm swallow. He wants the aftertaste that will stay with him for an hour or so, at least until he either drinks another cup or brushes his teeth.

He can’t have coffee—not the real stuff, at least. Decaf is okay (and yes, he knows it has a touch of caffeine in it anyway). Though he wants the coffee, he wants a drive as well. He wants to take to the road and follow the nose of the car to wherever it leads. He doesn’t care where he ends up, as long as he takes the journey. For him, that’s really what it is about, what it is always about: the journey.

It’s unusually warm for February—already in the upper sixties by eight in the morning. A crispness hangs in the air. Dew dampens the ground and has fallen on the car, and covers the windshield. He dons shorts and a T-shirt, socks and sneakers and he is out the door, leaving the family to sleep in on that Saturday morning.

The car is fairly new and comfortable. Behind the wheel reminds him of all those Saturday mornings before he and his better half had child number one and then three and a half years later, child number two. On those mornings he would be up before six and out the door half an hour later. And he drove with no particular place to go, just him, the car and music. Sitting there he recalls how he ended up in Spartanburg one morning and Newberry another and Charleston another. Sometimes the drive was all he wanted, maybe even needed.

And so it is that he pulls from the yard and drives away. At the stop sign he makes a right and shortly after that, he turns the radio on, finds the grunge channel and follows the road.

dscn1683[[The score for this scene and several that would follow with him driving would begin as he makes that right turn. We wouldn’t necessarily see him, but we would hear the music. He likes the grunge from the nineties, so chances are the song that would play would be something from Nirvana or Bush or Alice in Chains or Pearl Jam. Maybe Temple of the Dog would say hello to Heaven or maybe they will go hungry.]]

Song after song plays as mile after mile disappears beneath his tires. Small roads lead to larger ones and larger ones lead to longer ones. Those longer ones lead back to smaller ones, until he is moving along a country road, passing country houses and fields.

The sign catches his eye. At first he just glimpses it. He’s not even sure he saw it after he passed it. He slows, checks the rearview mirror and sees the reverse side of it is the same as the front. A smile forms on his face and he turns the car around. Heading in the opposite direction he slows and reads the sign: WARRIOR BASEBALL. An arrow points in the direction of a street on his right. He turns, follows the road as it winds through a small neighborhood with nice cars in driveways of even nicer homes. The houses thin out. The road ends in the parking lot of a baseball complex. It’s not as new as the neighborhood, but it still stands in what he takes is the heart of the area.

A moment passes as he sits in his car in the middle of the parking lot, the motor purring. The beating of his heart matches the smile on his face. He parks between two faded white lines, flips the music off (currently Pearl Jam is singing Wish List. Eddie Vedder’s voice is cut off as he wishes he were a brake peddle you depended on). He is out of the car and popping the trunk even as the door closes and locks.

At the back of the car, his smile grows wider when he sees his wife’s back pack. If he is right, one of her cameras is in there. He unzips the front pouch and there the camera sits in its own case. He pulls it out and opens the case. He presses a small button and the camera turns on. The lens extends and he unfolds the view finder. The battery has a full charge.

[[If this were a movie, the scene would pan out and away from him. We would hear the trunk close and possibly the sounds of pebbles crunching under his sneakers. Then we would see him walking toward the baseball field, the camera in hand.]]

He approaches the field. Though it is old, it has recently been graded and then smoothed. The grass has been cut. Chalk lines run down the first and third base lines and form the batter’s boxes, the pitcher’s circle and the on deck circles just outside of each dugout. The lines aren’t crisp and clean—the field has been played on.

dscn1707He walks through the dugout gate. A metal bench stretches the length of the dugout. He leans down, sets the camera on one end so the view finder shows the entire bench. He presses a silver button and the camera clicks twice. In the view finder he sees the bench. On it are three little boys, each one wearing a red and white uniform with the team name, Warriors, written in cursive script across the front. One of them is blowing a bubble from the gum in his mouth. The other two are laughing at some unknown joke. It’s probably something to do with passing gas.

As he looks at the image, he thinks, oh yes, passing gas.

[[The scene would go from the image on the camera to the bench in front of him. One would show the ghosts of children’s past, while the other just shows a metal bench.]]

Outside the dugout and on the field, he looks around. Just beyond the infield is a dirty ball. No, it’s not a baseball and not a softball, but one that is in between. It is yellow and dirty and looks as if part of the rawhide has been scorched. He smiles.

[[Again, the film would show his feet, the sneakers crossing the hard packed orange ground. We would see the backs of his legs as he steadily approaches the ball. Then we would see the ball between his feet and his hand pick it up. He brings it to his face, where we see his blue eye again.]]

The ball gets placed by first base. He sets the camera on the ground, presses the button and waits for the click. Then he looks in the view finder. It’s almost perfect. He backs up fifteen or so feet and takes another picture, this one of the first base bag from a standing position. In the view finder, a little boy with blond hair and a gray uniform with no words on the front, but the number 3 on the left side in red. He is bending down to pick up the ball.

He nods, walks over and plucks the ball from the ground. He tosses it into the outfield. Before the ball can fall to the ground, he has the camera up and snaps several shots. In those images, a young child with skin the color of smooth chocolate has his glove up, his eyes on the ball. He thinks the boy calls ‘mine’ before the ball reaches him.

He takes a snapshot of the pitcher’s mound next. The boy standing there is caught in full wind up, his leg kicked up, arm back and ready to throw the ball.

[[In the movie about the man, we see him turn and take pictures and we see the boys of yesteryear in them. They may be just in his head, but they are there, none the less. We would hear music, maybe Centerfield by John Fogerty or even the Eddie Vedder tribute song to the Chicago Cubs for finally winning a World Series.]]

The sun is now overhead, but it is still comfortable outside. He checks his watch. It is after eleven.

dscn1703I should get back, he thinks. He makes his way toward the dugout and stops. He’s still holding the ball in one hand. He turns and cocks his arm back to throw it. He stops, looks at the ball and lets out a laugh. Instead of throwing it, he tosses it in the air, catches it and leaves the field, a hum on his lips.

[[Here we fade to black or maybe we just pan out as he walks away, the camera in one hand, the ball in the other and that hum … that hum is probably a song he likes, maybe Boys of Summer by Don Henley. We see him get in his car, and we hear the car’s engine come to life. Then it pulls out of the spot and he drives away. Like all good films, we would hear the lyrics of the song, the music, he had hummed on his way to his car. Then, the car would be out of sight and the credits would roll. And yes, there would be a fade to black …]]

As I said earlier: I’ve always felt like I’ve lived my life on the outside looking in. It’s as if I see myself and my actions through a camera lens. There is a crack that runs down the center of that lens. On the left side everything is clear and easy to see and understand. On the right side everything is blurry and odd and I struggle at everything. Very rarely do I see through the crack where everything makes sense.

For me, baseball is one of the things in that center. When I find a new field, I see myself, my actions, and my thoughts, not as if I am living them, but as if I am watching them. Sometimes, that is not a bad thing.

Until we meet again my friends, be kind to one another.

A.J.

An Excerpt From Susie Bantum’s Death

Posted: February 22, 2017 by ajbrown in Writing
Tags: , , , , ,

Good afternoon Faithful Readers,

Today I want to give you a taste of my newest story. This is the beginning of Susie Bantum’s Death.

I hope you enjoy.

***

She smoked the cigarette like it was the last thing she would ever do. Within three minutes of lighting it and a dozen or so steady puffs, she had dwindled it down to the filter. She flipped the butt away. It landed just by the shoreline of the flowing river. What remained of the red cherry was nothing more than a smoldering black pit with gray smoke pluming up from it.

It wasn’t the last thing she did. No, that thing was the run and jump into the raging river head first. That was odd for a couple of reasons. One, the river had swollen and had risen up the banks over the last three days, thanks to the week of rain the state had received. It was just a reprieve, a lull in the constant downpour that allowed her to take the walk to the river from her little home just up the hill from it in the village. Two, she was fully clothed and what most people would call sound of mind. The papers would say that was not a sound of mind thing to do, jumping in the water, fully clothed during what would be a flood just the next day.

They would be right. It was not what sound of mind folks did. But then again, Susie Bantum was a nobody and nobodies don’t matter to the somebodies of the world.

There were two witnesses who saw Susie take the leap to her death. The first of these was an old man, Marcel Declerque. He had been walking his dog when Susie went by him, her head up, eyes focused forward.

“She looked intense,” he would tell the police, but that wasn’t quite true. Sure, she was focused, but what was taken as intense was nothing more than Susie’s determination to get to the river, to … end it all.

“I only noticed her because Jerry barked at her,” Declerque told the police. Jerry was his fourteen year old German Schnauzer with bad hearing and bad eyesight. For Jerry to even notice her told his owner the woman was ‘just bad news.’

“She kept talking to herself, as if there was someone with her, but there wasn’t. I thought she was a couple laughs away from the funny farm until she jumped into the water.”

The other witness was a kid, aged ten, who had gone down to the river to skip rocks, but he couldn’t find any stones because the water had risen so high.

“I’ve been stuck inside for six days,” Bartholomew Winslow said. “You can’t watch but so many episodes of Spongebob before you get bored. It’s the same thing over and over. Spongebob is annoying, Patrick is dumb, Squidward is, well, he’s Squidward. It gets annoying after a while, you know? And that woman made them all look sane. She walked by me, carrying on a conversation as if she were with someone.”

The police weren’t interested in Winslow’s cartoon stories or Declerque’s dog tales. They only wanted facts and those were Susie smoked a cigarette and then jumped into the river, “where she was swept away like a trailer home during a tornado,” as Declerque put it.  And if it was true that Susie was talking to herself, having a conversation, as the kid put it, then maybe she really had been a few laughs away from the funny farm.

It was Henry Killmander who investigated the case. Not that he was a cop or a detective, or really anyone other than someone who had read about the case in the paper and seen the reports on the nightly news. Henry Killmander lived three houses down from Susie Bantum, and “she wouldn’t just up and kill herself like that,” he told the police. As with events of this nature, “it’s an open and shut case,” the detective said to Killmander before he folded his little black notebook up and tucked it in his pocket. He left with a wave and a “good day, Mr. Killmander.”

And that was that. Case closed. End of story. Move along little doggie, nothing to see here. But that was not good enough for Henry. No, Henry knew Susie and he knew she wouldn’t have just jumped into the river and taken her own life.

***

If you enjoyed the first two pages of Susie Bantum’s Death, please let me know in the comments section below.

Until we meet again my friends, be kind to one another.

A.J.

Recently, Stitched Smile Publications put a multiple author anthology titled Unleashed: Monsters Vs Zombies. During the release party for this book, I met a lady who brimmed over with excitement. Having talked with her briefly during that party, I thought it might be time that you, Faithful Readers, get to meet her. Welcome G. Marie Merante to my world (and yours).

AJB: Tell me a little bit about you.

51oc1pr0byl-_ux250_GMM: I’ve lived in the same town all my life. Its very rural and if you blink, you miss the center of town. For the past 20 years, I’ve lived six minutes down the road from the house I grew up in, moving after I got married. I’ve been with my husband for 25 years, have three kids…well, men now-ages 31,19 and 18. And I might as well throw in my two dogs, three cats and my bird—an African Grey.

I work part time in an amazing bookstore, as well as have the day job, and of course the writing, which I’m always thinking about, or working on in between.

To add more about the me … besides writing, I study martial arts.

AJB: You’ve lived in the same town your entire life? I ask that like it is shocking, but I have mostly lived in the same town my entire life as well, only moving out of it for about a year.

GMM: Well … I moved here when I was seven, but since I have zero memory of anything before I was five, its basically all my life..lol

AJB: I shift gears a lot, so let’s talk about working in a bookstore. Do you enjoy it?

GMM: Its pretty amazing. The bookstore is iconic. Its well known in the world of Indie bookstores and it draws incredible authors. In the past I have met Neil Gaiman there, and this past year, Buzz Aldrin, Kate Hudson ( who I almost knocked over) and Lindsey Vonn. The list of authors is immense, so the store has amazing history and a great vibe, almost a Hogwarts feeling when you walk in. And to be around piles and piles of books, there is a weird coziness to it, a very peaceful feeling.

AJB: Oh wow. I would love to work in a small bookstore like that, one where I could get lost in the pages every chance I got.

GMM: Unfortunately, there is not much time to read while working, between helping customers, or shelving. I wish I could just absorb each book just by touching them.

AJB: That would be awesome, but then you would lose the experience of reading and feeling the characters and seeing their lives through their eyes.

GMM: Very true. I do most of my ‘reading’ on audio. Fortunately, my day job allows me to listen all day, so I’m constantly going from one book to another. I have about 260 books in my Audio library.

AJB: 260 audio books? Holy cow. I have to be honest here: I have only listened to two audio books in my entire life and they are both for my books.

51jmndlm9dl-_uy250_GMM: That’s a great way to do final edits on your own work. Reading out loud has never worked for me, so downloading your own pages to an audio file is always my last phase of edits before putting a book to bed and querying.

AJB: Well, I didn’t do the audio for them–I listened to the audio versions that were put out by my publisher and voiced by John Malone. He captured my writing wonderfully.

GMM: Ahh. That’s awesome!! Well … editing tip for you..lol

AJB: I’ll keep that in mind.

GMM: Oh … and THANK GOD for audio books … I would go crazy with my day job.

I go through 3-4 books a week, depending on their length. Harry Potter, thats taking a bit more than a week each.

AJB:
I’m curious, who is the nicest celebrity you have met there?

GMM:  They’ve all been very nice, but Neil Gaiman was just amazing. Stardust is one of my favorite movies, and I told him that. He shook my hand and said most American’s have never even seen the movie. He signed my book and told me to DREAM. Which I do.

AJB: I have heard Gaiman is a truly nice person, which is something you always hope to hear about celebrities.

GMM: Its completely true. If you ever listen to any of the audio books that he narrates, what he sounds like on the audio is exactly his personality. The nicest guy ever.

AJB: That is awesome to hear.

Let’s shift gears again. You also mentioned you study martial arts.

GMM: Yes.

AJB: How did you come to that?

GMM: My husband was studying when we met, but then we got away from it. About five years ago, we decided to take classes with our two youngest boys who were still in middle school then (both are graduated from High School now.)

We believe in self defense, and I especially believe women should learn to defend themselves.

AJB: I’ve never taken martial arts. It is as much about discipline as it is self defense, right?

GMM: It is. In the school I go to that is instilled in the younger kids more. Respect. Listen to you parents, Do your homework. No testing for your next belt if your teachers don’t sign off agreeing the kids are well behaved and doing their work.

As adults, you should really have that down already … lol.

AJB: Maybe I should get my children into it.

GMM: Absolutely!! Its great for self esteem and its not at all about fighting. If you are at the right school, you are told to avoid confrontation, respect the art.

You learn to defend yourself, but with that comes responsibility. Ok … I sound like Spiderman now.

AJB: Hahahaha … Spiderman is okay in my book. But I hate his outfit from the earlier comics.

GMM: Spiderman has a very special place in my heart.

AJB: He does know how to weave a tangled web.

Let’s switch gears again and talk about writing.

GMM: Ok.

AJB: When did you get an inkling you may want to be a writer?

51xswnz8vl-_uy250_GMM: High school. English class. The teacher recommended I submit my creative writing projects to a high school literary magazine (Its been so long, I’ve forgotten the name of it). I wrote many short stories and poems. When I was about 23, I wrote my first book, a children’s book, and even typed it up on my typewriter. But it wasn’t until I was taking a college course in my thirties—a creative writing course—that the teacher told me I should be doing nothing else but writing children’s stories.

That was when I decided to write seriously

I wrote my first novel length book after that, then rewrote it about 10 times over 8 years.

I can’t even call it revising, they were total rewrites.

After I finally put that book to bed, did a bit of querying—maybe five queries and all rejections, I started another book. By this time, I had discovered Twitter, which was still pretty new at that point. There were agents and authors on there and I found out about Nanowrimo, so I decided it was the perfect time to start a new book. I wrote 30k of a vampire book before deciding I needed to do too much research to continue (Virgo … perfectionist). So I put that book aside, and started a new one—a dystopian and won Nano, writing 50k words in two weeks (don’t ask..I have zero idea how I pulled it off).

I finished the book in April, revisions and all. By September, I was querying the agents I had met on Twitter. A year later, I signed with the first agent I queried. But we didn’t go out to publishers for another seven months. By that time, dystopians were out. The book did not sell because the market was flooded.

I parted ways with her about a year and half later.

Since then, I’ve written two more books, one which I’ve been working on for four years and I’m querying for now. I also have  two fulls out at this time. The other I’m working on revisions again.

I also have about four new books on the burner … no idea which I’m going to write next.

AJB: The life and trials of a writer.

GMM: Yup. And two shorts, one with Stitched Smile Publications, and another that was picked up last April.

AJB: Let’s backtrack a little bit here. Tell me a little about that teacher who encouraged you to write in high school. Was he a cool teacher? Influential? Did you like him?

GMM: He was my favorite teacher, the kind that brings out the creativity in you. The class was small, maybe 20-25 people, so he read and graded the stories right in front of the students. That was when he told me I should be doing nothing else but writing for a living. He told me he has not seen a student writing like mine in many years.

I was stunned. At that  point, it had been several years since I wrote anything.

He started me on my journey. Planted the seed. And today, the short I wrote that day is still in the works. I’m revamping it, possibly turning it in a full length novel. (When I was young, 7-10yrs old,  when we visited my Nana, I used to go on witch hunts in the woods with my cousins and a boy who was my Nana’s neighbor. The story is based on those hunts.)

AJB: I love teachers like that. I wish there were more of them. Isn’t it interesting how one person can set the course for someone else by having a belief in that person?

GMM: Absolutely. His words still wring in my ears anytime I doubt my self, which is often. He was amazing. He obviously had passion that ebbed over into his students.

AJB: Writers have a habit of losing belief in themselves. Sometimes we need a push and a memory can often serve as that push. I’m glad to hear you had a teacher who can push you now, all these years after his encouragement.

Now, let’s talk about the two short stories you currently have out.

GMM: Sure!

45b45f94c1fe8fa41859dbf0ecfa9a4eAJB: First let’s discuss the one with SSP. Crystal Blue Waters, am I correct?

GMM: You are correct.

AJB: Tell me about Crystal Blue Waters.

GMM: Violene is a vampire forced out of Miami by the zombie out break, and back to her birthplace, a remote island in the Caribbean, in order to survive, only the tropical waters are not as safe as she thought, and its up to her to save her island.

AJB: Having read this, I thought it was a neat concept I think readers will enjoy. I might be wrong here, but is this your first publication?

GMM: It is.

AJB: Well, let me congratulate you on your first publication and make a toast to many, many more in the future.

GMM: Thank you!! Its very exciting. I have my contract with SSP framed. Its in my bookcase.

AJB:
You do? That is awesome. I am happy for you.

Marie, do you have a favorite genre to write in?

GMM: Not particularly, though I tend to write dark. The book I am querying now is a YA historical/magical realism. I am revising a dark YA contemporary romance. I have two zombie books slated. Another one that I think would be classified as Literary fiction. Its what ever comes to me.

AJB: Diversity is a good thing.

Earlier you said you have ideas for other books. Do you find it difficult to focus on one idea or to choose which idea to write on when you have multiple ones in your head?

GMM: Its horrific. When ideas come to me, I get like little snippets of movies that just appear. Then they are stuck in my head. I carry a pile of notebooks with me because I’m constantly jumping from one to the other, constantly writing notes. I’ve had a particularly hard time trying to figure out which new book to work on. I have a few chapters for two of them, plot notes for the others. I’ve decided to wait on those while I revise the YA contemporary romance. That story is most prominent in my mind right now.

AJB: Then I would go with the one that is at the forefront of your thoughts.

GMM: Exactly. I’m adding a secondary story line that is going to parallel the existing story, so its is new writing, not all revising. Which makes it a bit more satisfying.

AJB: Just a couple of more questions and I’ll let you go. You said you have another short story out. Can you tell me about it?

GMM: Sure. Its with Dead Silent Publishing out of the UK, that is also a production company, focused solely on zombies. My short is called All Dressed in White, which takes place about a year after the zombie outbreak. A bride who was scratched and wakes up the morning of her wedding realizes she only has hours to live before she turns. So its a countdown of her preparing for the wedding, because its the last thing she wants to do, and a countdown to her becoming a zombie.

AJB:
Oh cool. That is something I think I would like to read.

GMM: Awesome! It has a twist at the end..

AJB: Okay, Marie, I just have one more question for you: where can readers find you?

GMM: G. Marie Merante on Facebook

G. Marie Merante on Twitter

G. Marie Merante’s Amazon Author Page

For story boards: Pinterest

I used to have a website, but took it down to make changes and well … I need to work on it.

AJB: Thank you for your time Marie, it has been nice talking with you.

GMM: Thank you so much!

AJB: You are welcome.

Check out G. Marie Merante in both Monsters Vs Zombies and Zombie Chunks and look for more from her in the future.

Until we meet again my friends, be kind to one another.

 

How I See It: Greatness

Posted: January 11, 2017 by ajbrown in Writing
Tags: , , ,

Sometimes the world pulls you down. It does. The hustle and bustle of it all can be exhausting. Trying to live up to everyone’s standards (not to mention your own) is daunting and often times a complete exercise in failing. You work, work, work and feel like you are getting nowhere. You often feel you don’t matter or you don’t make a difference anywhere or you whisper to yourself, ‘there has to be more than this.’

It’s frustrating. Cumbersome, even.

We are so wrapped up in our place in the world we often forget to just stop, and literally, smell the roses. Or, in this instance, see the clouds.

This morning, on the way to work, my wife commented about how beautiful the clouds were. I looked off to my right as we crossed the Jarvis Klapman Bridge. The Gervais Street Bridge was just across the way, cars zooming by, the drivers on their way to their destinations, the Congaree River passing beneath it (and the bridge we were on as well). Off in the distance the clouds hung low in the sky. They were bathed in colors of light purple, pink, orange and gray with the underbelly of them (further off in the distance where the sun was trying to peek through) lined in silver and white. It looked as if those clouds had been painted up there. I felt I could roll down the window and touch them and paint would come away on my fingertips.

It was more than beautiful. It was amazing. It was awesome. It was splendorous. It reminded me of how great God truly is.

As the morning has gone on, I keep thinking about the image of those clouds, of how it looked like a painting—a great, truly majestic painting. It also reminded me that there is greatness in every person. Yes, I said every person, and by every, I mean EVERY. SINGLE. PERSON. You can be an athlete and be capable of great things. You can be a musician and be capable of great things. You can be a teacher and be capable of great things. You can be a child and be capable of great things. You can be homeless and be capable of great things.

You can be a writer and be capable of great things.

The thing with greatness is so often it comes from within yourself. It is accompanied by hard work and dedication and a burning desire, but it is in every single one of us, and yes, that includes the homeless person, or those who most would consider lesser people. You can be religious or not and still do great things. You can be rich or poor and do great things. Skin color, sexual orientation and gender does not matter. Neither does political beliefs.

Greatness has nothing to do with who you are but it has everything to do with WHO you are.

Confusing? Yeah, it can be.

Here is how I see it: Greatness has nothing to do with what people think of you, but who you are on the inside and what you think of yourself.

To steal a quote:

A winner is not someone who wins. It’s someone who tries and isn’t afraid to lose.                                     –Nusrat Sultana

Greatness will never be about winning and losing, no matter what society says, but about effort and belief in yourself. It took me a long time to figure that out. Sometimes, I still struggle with the concept.

I’ve worked for years to become a publishable writer. Then I realized it doesn’t matter if I’m publishable—most people can get published or even publish their own work, so it is a subjective term, in my opinion. What matters is that I continue to work on my talents of telling good stories, and for me to take them from good to great. I am going to be honest, I will never be where I want to be as a writer. I feel the greatness I want to achieve is a goal that may never be reached, but I will continue to strive for it. Why? Because I believe in myself and my abilities.

I also believe that you, Faithful Readers, want greatness. This is partially why I strive hard to make each story better than the last. I want you, the readers, to want to read my work and not feel you wasted your time with me and my words. If you feel you have wasted your time, then I have failed both you and me.

We, as a society, associate greatness with money. The more money you have the greater you are. We put our self value in money, money, money. I don’t want my greatness or how I value myself to be associated with the dollar. Don’t get me wrong, I would love to make a lot more money doing this than I do right now. I would love to be able to support my family doing the thing I love to do most: tell stories. But the great writers aren’t just great because they are rich. The great writers—the truly great ones—touch people with their words. This, Faithful Readers, is what I want to do. I want to touch you with my words. I want when you put one of my stories down, for it to linger with you as you walk away.

As I think about those clouds again, I go back to something I say at the beginning of some of my stories or blogs: Picture this, if you will. I like to paint pictures with my words. Whether they are dark and disturbing or soft and encouraging, I always strive to paint the most beautiful of images for you to read through. This, I believe, lends to the effort of trying to become great at the craft I so love.

I hope you enjoy the pictures I paint with the palette of words I use. If I do (or even if I don’t) would you mind leaving a comment below, letting me know. If I can improve on something, please let me know this is well.

Thank you for allowing me to touch you with my words. Thank you also for your time. I hope you have a wonderful day. Until we meet again, my friends, be kind to one another.

A.J.

You can find me at these wonderful places:

A.J. Brown Facebook Fan Club

A.J. Brown Facebook Author Page

A.J. Brown Amazon Author Page

A.J. Brown Storyteller Website

@ajbrown36 on Twitter

Wattpad

Email: ajbrown36@bellsouth.net

 

 

We have so much time and so little to do. Strike that. Reverse it. —Roald Dahl

So often on this blog, and really all of my social media, I forget to do one very important thing. Well, okay, maybe a couple of very important things, like update this blog more regularly. Bad A.J.. Bad. That’s not it, though. The one thing I forget to do on a regular basis is promote my own work (I’ll prove it in a minute).

Go ahead and nod in agreement.

I can blame it on not having enough time if I want to, but that would be a lie, or at least a partial one.

I have never been all that savvy at marketing. I don’t enjoy doing it. I tend to want to write and write and write. But there is so much more to this business than writing. That is something else I tend to forget: publishing is a business. If you have ever had your own business or worked at any job then you have been somewhere that has needed to market themselves in order to get more clients. Without marketing, there are no clients, and without clients, there is no business.

For writers, we want readers. You, Faithful Reader, the person with your eyes on these words as you, well, read them, you are our client. Without you, then every time we put out a book, it will languish in obscurity. Now for the proof:

INTERACTIVE QUESTION #1: How many of you have heard of Ball Four? This is a small collection of dark baseball stories. (Please, if you don’t mind, leave a comment below. I would love to know if you have heard of the collection.)

I don’t think many folks have heard of Ball Four. It has sold one book since its release on August 20th of 2016. One sale in almost four and a half months. Why is this? Simple: I haven’t marketed it. Sure, I’ve posted a few things on Facebook about it, but beyond that, nothing. So, why (or how) would you have heard about Ball Four? You wouldn’t have unless you have gone to my Amazon author page on a regular basis. The proof is in the pudding.

To go with having a more interactive blog, one of my goals this year is to promote my work more. As I stated earlier, I haven’t been all that great about it.

So, would you like to hear more about Ball Four? Sure you would:

ball-four-front-image-onlyThere’s nothing like the sound of a little league ball park. From the dugout chants to the ping of the bat on ball or the heavy smack of a glove making a catch, nothing quite compares to kids playing America’s pastime. It’s the true innocence of the game on display, it’s the real effort to win as a team. Its kids being kids.

Though America’s game is at its best in the Little Leagues, it is also at its most tragic. There’s nothing like losing when your heart is all in. There’s nothing like failure when the game is on the line. But what if winning and losing didn’t matter?

What if it’s a bully getting what he deserves? What if it’s an old ballpark where dreams were once lived out, but now no one plays on? What if it’s a bad pitch or a base not stolen? Or what if it’s just a run short of glory? What if it’s the memory of a game many years in the past? 

What if it’s lost innocence?

***

I truly believe baseball, at its core, is the most innocent of games for little kids. It was the one I fell in love with first as a child. It’s also the one that seems the most tragic to me. The stories (and poems—yes, I said poems) in Ball Four look at, not just the innocence of the game, but also the tragedy.

For the one book that was purchased there was a review left behind:

If you love baseball, little league or softball. The clink of a bat or the sound of cleats in the brick dirt then this is the book for you. Imagine if you will sitting in the bleachers, hearing the cheer of the crowd and the smell of popcorn in the air. The sound of the crack of a bat as a batter hits a home run. The excitement in the stands. If all of that makes your heart beat faster then you must read this book. The stories are amazing and so well told. This author knows what he is doing and does it well. I have loved baseball since I was little and when I got this book I read Dreams of a Poor Child first. It touched me so that I read it to my father who sat in my living room and bawled. We were both crying by the time I finished the story. Not because it was sad but because it brought back childhood memories for both of us. AJ Brown is a fantastic story teller. I can’t stress enough that you want to read this book and that you will absolutely love it and the rest of the books that Mr. Brown has written. Simply put….AWESOME!

***

Do I have your attention? I hope so. If you would like to purchase the digital version of Ball Four, head on over to Amazon and grab you a copy. If you would like the print version, you can contact me and I’ll get a copy to you. And please, leave a review—they do help.

But wait, I’m not going to leave you here with just the blurb and a review, but also a glimpse at one of the stories. I called this one The Boys of Yesteryear and this is the very beginning of it:

Gravel cracked and crumbled beneath the tires of the old beat up Chevy. The head lamps cut two beams through the darkness, shining bright on the red clay field in front of it. The car came to a shuddering stop, the engine skipping as it idled hard. Harvey shut the car off and opened the door. A cane touched ground, followed by a brown slippered foot. Harvey pushed himself out of the car, holding onto the door for leverage. He closed it. The sound of metal on metal was loud in the quiet night. He hobbled to the front of the vehicle

Even though he wore a belt, his jeans hung loose on his thin hips; his shoulders were like a hanger his shirt was draped over. Harvey slid a white cap out of his back pocket and placed it on his head, the “B” logo faded but still stitched in place. He took a deep breath—something that was hard for him to do these days—and let the crisp fall air fill his lungs.

The field still had the wood fence around it, though many of the slats had fallen away or rotted out through the years. Weeds grew in the grass of the outfield, some of it encroaching on the infield that still looked like a rough diamond. The two dugouts were mostly gone—a wooden wall still stood along one of them but not the other.

Harvey made his way to the trunk and opened it. Inside sat a bat, ball and glove, all aged and well used. He picked the baseball up and stared at it for a long while, taking in each name scrawled in black pen along its surface, some overlapping, some faded to near illegible. He set it in the glove and then lifted both out, followed by the bat, a wooden model, not one of those aluminum atrocities the kids used these days. Harvey placed the items in a bag and put it over one shoulder, just as he had done so many times as a kid. No, it wasn’t a baseball gear bag like they have today, but a bag his dad had made out of an old rifle sheathing. The brown leather was worn and cracked in some places and the stitching that held it together was frayed throughout. The zipper was broke, leaving the bag permanently open. The strap dad had attached to it had been fixed twice. Harvey thought he should have probably had it restitched before…

Leaving the trunk open, he walked back to the front of the car and reached into the passenger’s side window.

“Come on,” he said as he lifted the old glass milk jug from the car, the cork still in place. He held it close to him as he shuffled toward the field, his cane going out in front of him with each pained step. Prickles of fire ran up his left leg from ankle to hip. He winced, gritted his teeth and continued toward the dugout he had shared with eight others all those years ago …

***

Enticed yet? I hope so.

One more thing: my good friend, Justin Dunne, asked me one time what music should he listen to while reading a story of mine. I had to think about it for a moment or eight—I had never been asked that question before. Since then I have taken to hearing the music the stories should be read to. With that in mind I’m going to go with a couple of songs: Centerfield by John Fogerty and There Used To Be A Ballpark, by Frank Sinatra. Enjoy the stories. Enjoy the songs.

I leave you for now, Faithful Reader, and I hope you have a wonderful day. Please like, share and comment if you have a moment or two. Thank you, as always for reading.

Until we meet again my friends, be kind to one another.

A.J.

You can find me at these awesome places:

A.J. Brown Facebook Fan Club

A.J. Brown Facebook Author Page

A.J. Brown Amazon Author Page

A.J. Brown Storyteller Website

@ajbrown36 on Twitter

Wattpad

Email: ajbrown36@bellsouth.net

 

 

Grave Stories

Posted: November 5, 2016 by ajbrown in Stories of the Grave
Tags: , , , , ,

There is  a dirt road off of Highway 176 in South Carolina. Like many dirt roads around the country, if you blink you might pass it without realizing it exists. That almost happened to us on Friday as we drove along in search of old cemeteries. If not for Cate’s eagle eyes, we would have never seen the road, and we would have never came across the Tabernacle Cemetery just outside of Cameron.

20161104_084141We backtracked and turned down the dirt road that didn’t look to really be off the beaten path. It was littered with small branches and leaves that scraped along the car’s undercarriage as we drove along. We stopped about halfway down the dirt road. A large tree branch lay in the way, most of it shattered into pieces. There was no moving the core of the branch, so we parked and walked the rest of the way.

As we got out the car, two deer ran from the trees on the right into the trees on the left about seventy yards away. They were quick, and in the blink of an eye, they were gone.

Time to walk.

It only took five or so minutes to reach the cemetery off to our left. Before reaching it, three more deer appeared in the distance, just on the edge of the woods where the road dead-ended.

The cemetery wasn’t quite shrouded by trees and shrubbery, but there was plenty of overgrowth and broken branches. There was a tree down about fifty yards from the road, probably felled by Hurricane Matthew, a storm that skirted the edge of South Carolina, but had the reach of winds and rains that spread beyond the Midlands, some hundred plus miles from the coast.

DSCN1404.JPGThe graves, most of which dated to the early to mid-1800’s, felt as if they had been forgotten over the years. The grass was shin high in places and leaves crunched under foot. Like the road, there were small branches everywhere. Tomb stones leaned forward; others had crumbled over time. A few had broken in half. Many of the graves belonged to Confederate soldiers or to the Dantzler clan…or both. There were some smaller headstones, babies and children who passed much too young.

As we wondered around the open cemetery (which I imagine was last kept up about six years or so ago), the sounds of Mother Nature spoke to us. A wind whistled softly through the trees, leaves rustled and fell all around us in ballet pirouettes, deer walked or ran through the woods not far from us. Out in that grave yard, all those sounds gave the place a somewhat creepy atmosphere.

We had seen the large tree from the road, many of its branches b
roken off and scattered about. As we approached it, high-stepping tall grass and other branches, we saw that none of the tombstones along its length had been damageDSCN1413.JPGd when it fell. It was as if the tree had laid down right between several headstones for a little rest. It was like the tree had a respect for the dead that
most of the living
don’t have.

Where the top of the tree lay were three larger markers, Confederate soldiers, an
d Dantzlers alike. The branches hung above them and around them. Some of them brushed up against the markers, as if patting them gently. It was one of the neatest sights we have seen in an old cemetery.

As we left and headed back up the dirt road to where our car sat (waiting patiently for us, perhaps?), I stopped and looked back. The scene before me was eerily quiet. The wind no longer whistled through the trees. The leaves no longer rustled and fell to the ground in ballet-like pirouettes. The deer had left the area or had just stopped moving about. Could they sense something about to happen?

Now, here is what I want you to picture, and no, this did not happen. But this is where my mind painted a picture oDSCN1408.JPGf three men, all Confederate soldiers in their winter coats and britches. One wore a gray hat and sat on the long trunk of the tree, one foot on the ground, the other firmly planted on the tree, knee bent and his elbow on it. He bit into an apple, that in my mind’s eye, looked too red. I heard the crunch of his teeth sink into the apple.

The second guy was older, a salt and pepper beard on his face, a wooden pipe in his mouth. White smoke billowed up from the pipe. He stood on the other side of the tree, sharpening a knife on a wet stone. In the picture being painted in my mind I sniffed the air, thinking I might be able to catch the rich smell of the tobacco, but couldn’t. I can’t say there wasn’t disappointment on the face of my mind’s version of me.

DSCN1401.JPGThe third soldier—the one that felt the most real to me—was kneeling down a few feet from the base of the fallen tree. There was a white bandage around his midsection in place of the shirt he wasn’t wearing. He reached into the ground, his hands clearly disappearing into the dirt of the grave where a small headstone was. A moment later he stood, a baby in his arms. He turned to me and our eyes met. He was smiling as he snuggled the baby against his chest.

I stood for a few seconds, watching these three men, one eating an apple, one sharpening a knife and one holding a baby. Then they faded away, leaving just the graves and woods behind. And just like that, my mind released me from the image.

I stood a couple of seconds more, and then ran up the road to catch up with Cate. We would leave the grave yard behind. Maybe someone else will come along and the ghosts will plant images in their mind. Or, maybe, it’s the other way around. Maybe their minds will plant images on their surroundings and bring the ghosts alive, if only for a few seconds…

Many of writers start out writing short form fiction and we enjoy it. We can write a story in three to ten thousand words and get that sense of accomplishment. The stories are shorter and quicker to write than novels, but they are full on stories. It’s exhilarating to write three short stories in a five day span.

Then one day someone says you should write a novel, or you see another writer you know has written a novel and you think, ‘yeah, I should write one of those.’ That is when you get the notion you have to write novels in order to tell a story.

Maybe you should.

Maybe you shouldn’t.

Let me explain, and I’m not really sure what I am about to write, so stick with me. My brain has latched onto something and it doesn’t seem to want to let go. It’s like that dog with the clamp for jaws.

If you are a writer or if you are friends with one (or many), then you have probably posted something or seen a post on social media where a writer mentions the word count on their current WIP (Work In Progress). The post may read something like:

32K down, 68K to go.

In case you are not a writer and you wonder what this means, it is not code for anything. The post means the writer has written thirty-two thousand words and has another sixty-eight thousand words to go before he/she meets his/her goal of one hundred thousand words, thus finishing the ‘story’ he/she is writing.

This has always bugged me and I’ll tell you why. When I set out to write, I set out to tell a story with no definitive word count in mind. I just know the story will have at least one word and hopefully a few more before it is said and done. I never set a word goal for my stories—this is restricting in my opinion. But it is also daunting. How, you ask? Well, let me break it down for you.

1. Restricting: if I want to write a short story and I give myself a word count of three thousand words, then I restrict the length and depth of the story. That is like me saying I can fit ten gallons of water into a five gallon jug. It’s just not going to happen. I don’t want my stories to be restricted by a small word count. And if you know me, then you understand I can be long winded. That’s not to say I can’t write something in three thousand words or less—I have, many, many times. But I don’t set a word count as a limit or a goal.

On the other hand:

2. Daunting: if I want to write a story, then I don’t want to say it will be five or ten or twenty or even one hundred thousand words. By doing so it becomes a mental issue for me. Instead of writing the story that needs to be written, I end up just writing a bunch of needless words to fill the word quota I put on myself. In essence, I pad the story with nothing useful, even if I think the words have a purpose. Who wants a lot of padding?

The mindset of writing to a word count baffles me. I don’t understand it. For me, I write until I reach the end of the story. If that means the story is two thousand words, then fine. If that means it is two hundred thousand words, then fine. The goal is not a number of words, but a complete story, from beginning to end. The word count doesn’t matter if the story sucks or if it is padded to the point the story gets lost.

This brings me to the concept of Form Follows Function. This is the principal that the shape and size of something (in architecture) is based on its intended function. With this in mind, if the function of something is to hold a lap top, then you wouldn’t make something the size of a 1970’s suitcase for it. Of course, that is not what Form Follows Function is really about, but the concept is the same.

That being said, this principal can be applied to writing as well. The function is to tell a story. The form? How many words are needed to tell the story, be it poem, flash fiction, short story, novella, novel, epic or series. I believe there is no word count to telling a story. There are words, and when added together, they form sentences. Those sentences then form paragraphs. Put enough of those paragraphs together and, eventually, you come to the end of your story. With that mindset, there is no fretting over either not meeting a word count goal or going over it. There is just the story.

Form Follows Function. Simple concept. The Form is, as I stated earlier, poem, flash fiction, short story, novella, novel, epic or series. The Function is to tell a story and to tell it in the right amount of words—not to write to an amount of words. to tell a story.

Until we meet again my friends, be kind to one another.

Willy Wonka died on Monday, August 29th. Yes, I know his name was Gene Wilder, but stick with me here. For most of us in our mid-forties at this time, Wilder’s portrayal of Roald Dahl’s Willy Wonka, from Charlie and the Chocolate Factory, is a significant piece of our childhood. For this reason, though Wilder did several other great films, many of us still view him as Willy Wonka.

The movie, Willy Wonka and the Chocolate Factory, had a bit of everything in it. Well, not romance, and I’m okay with that. It had action, mystery, a cool storyline, memorable characters, hope, and yes, a resolution at the end. It also had quirky humor, which as a kid, I couldn’t fully appreciate. As an adult, however, I find it refreshing, even now.

Take for instance, this exchange between Wonka and Mr. Salt (whose daughter was Veruca, a bratty child if there ever were one. I guess she would have been considered entitled in today’s society.):

Mr. Salt: What is this, Wonka? Some kind of fun house?

Wonka: Why? Are you having fun?

Or we can look at this statement, after Wonka is asked about the legitimacy of a contract (yes, there was a contract in the movie):

I’m sorry, but all questions must be submitted in writing.

One thing that was evident to me when I was a kid was that all of the children who won golden tickets (with the exception of Charlie) and their parents were all brats. Yes, the parents were brats, maybe even more so than the children. It was always the behavior of the children (and their parents) that led to something drastic happening, thus leading to many people’s favorite scenes involving the Oompa Loompas.

(I want an Oompa Loompa right now!)

If you are not aware, the Oompa Loompas trotted out after one of the kids did something they shouldn’t have and they sang a little ditty. There were always three verses to the songs, and the Oompa Loompas always appeared as if they were begging you to heed their warnings.

Oompa Loompa doompadee doo

I’ve got another puzzle for you

Oompa Loompa doompadee dee

If you are wise you will listen to me

Then came the puzzle, which was never really a puzzle at all, but more of a declaration on manners, something that 45 years ago, when the movie came out, was more of a topic than it is now. Yeah, hard to believe, isn’t it? My favorite declaration…err…puzzle is as follows:

Who do you blame when your kid is a brat

Pampered and spoiled like a Siamese cat?

Blaming the kids is a lion of shame

You know exactly who’s to blame:

The mother and the father!

Like I said, that’s not a puzzle, but a declaration.

They always closed with a message about doing things the right way.

Oompa Loompa doompadee dah

If you’re not spoiled then you will go far

You will live in happiness too

Like the Oompa Loompa doompadee do

In a way, each verse to the Oompa Loompa’s songs was like a story, with a beginning, a middle and an ending. Only these stories were more like parables, meant as a lesson to anyone who would listen. And that is one of the beauties of the book, and by extension, the movie, which expanded on Dahl’s thoughts.

There was more to Willy Wonka then just lessons that, as children, most of us missed. There was wisdom.

A little nonsense now and then, is relished by the wisest men.

This was Wonka’s response to Mr. Salt (yet again) when he said ‘that’s a lot of nonsense,’ to the fact that the geese that laid golden eggs didn’t know Easter was over. I always wondered what he meant to this. Was it Wonka’s way of saying all work and no play makes Mr. Salt a dull boy? I don’t know, but there is a ring of truth to it: too much seriousness can make you totally unhappy. And sometimes being naive to something is not necessarily a bad thing.

One of my favorite nuggets in the movie is how Wonka replies to Veruca (go figure) when she says, “Snozzberries? Who’s ever heard of a snozzberry?” His response was to grab her cheeks with one hand and turn her face to his and state:

We are the music makers, and we are the dreamers of dreams.

It’s not an original saying. In fact, that is the opening portion to a poem simply titled, ‘Ode,’ by Arthur O’Shaughnessy. But when you think about it, both O’Shaughnessy and Wonka were right. We really are the music makers. We really are the dreamers of dreams. All of us, whether we realize it or not, are dreamers and our souls and hearts are the music makers. The dreamers of the world are the ones who make changes. They are the ones who don’t tend to conform to societal standards. They are the ones who not only think outside the box, but they break the box down and throw it into the incinerator. And then they build their own boxes that someone else can think out of and destroy at a later date.

Dare to dream. Dare to make music that is different than the norm. Dare to write what you want to write and not conform to the rigidity of the rules of writing. Dare to tell a story that moves people. Just dare.

The rest of that poem is as follows, just in case you were wondering:

We are the music-makers,

And we are the dreamers of dreams,

Wandering by lone sea-breakers

And sitting by desolate streams;

World losers and world forsakers,

On whom the pale moon gleams:

Yet we are the movers and shakers

Of the world for ever, it seems.

 

With wonderful deathless ditties

We build up the world’s great cities.

And out of a fabulous story

We fashion an empire’s glory:

One man with a dream, at pleasure,

Shall go forth and conquer a crown;

And three with a new song’s measure

Can trample an empire down.

 

We, in the ages lying

In the buried past of the earth,

Built Nineveh with our sighing,

And Babel itself with our mirth;

And o’erthrew them with prophesying

To the old of the new world’s worth;

For each age is a dream that is dying,

Or one that is coming to birth. 

Lessons, lessons, lessons all about life are present throughout the movie and brought to life by Gene Wilder’s work as the quirky, and somewhat Eeyore-ish, Willy Wonka. Again, to quote the movie:

So much time, so little to do. Wait a minute. Strike that. Reverse it.

So much to do, so little time is what he meant, but if you weren’t paying attention you missed it when watching the movie. There is so much truth to that. We all want to do so much, but do we use our time wise enough so that we can get those things done and enjoy life as well?

Though there is so much more I can go into with the brilliance of this movie, there is only really one more thing to touch on. At one point, shortly after everyone is allowed into  Wonka’s candy land (literally), Gene Wilder sings a song. The song is titled Pure Imagination and it was written by Leslie Bricusse and Anthony Newley specifically for Willy Wonka and the Chocolate Factory. I have always thought the song went so well with the movie and especially the poem, ‘Ode.’

How, you ask?

We are the dreamers of dreams and these lyrics:

If you want to view paradise

Simply look around and view it

Anything you want to, do it

Want to change the world?

There’s nothing to it

If you want to make changes in the world, you have to dream those dreams and then get after it. Willy Wonka wanted to create candy children would love. He wanted to give a home to the Oompa Loompas. He wanted to create the everlasting gobstopper. He dreamed the dreams and then made the music…err…candy so many people in the movie loved.

Willy Wonka was different. So was Gene Wilder, who really epitomized the concept of being your own person. They both taught us to dream and to chase those dreams and to not be like everyone else.

(Anything you want to, do it.)

Today I say goodbye to Willy Wonka and Gene Wilder. Thank you for your whimsical view on life and the way you gave a generation of children hope.

(What to change the world? There’s nothing to it.)

Until we meet again my friends, be kind to one another.