Posts Tagged ‘Lisa Vasquez’

On July 8, 2017, The Monster was found.

Let me give you some context. The Anatomy of Monsters anthology was released on this date. We here at Stitched Smile Publications hosted an online release party, complete with author takeovers and live readings. It was a blast.

At the end of the party, four of us Stitchers got together and did a ‘live write.’ This is where we took a predetermined topic and wrote a story. We gave ourselves 300 words each and only 15 minutes to write each part. Here’s the kicker: Each writer had to wait for the one before them to write their part so they could start. Oh, and the 15 minutes included reading the previous parts.

In honor of The Anatomy of Monsters release, we wanted to do a piece involving a monster of some sort. After a bit of brainstorming, the topic was decided on. A descendant of Frankenstein had discovered the location of the Frankenstein Monster. It just happens to be in the possession of one, Ichabod Crane (he of the Headless Horseman fame). The descendant wanted the Monster back. This is how he goes about acquiring the family’s monster.

Those participating in the live write, in order of who wrote what parts: Lisa Vasquez, Nick Paschall, Donelle Pardee Whiting and myself, A.J. Brown.

Please make not of two things. 1) I have separated each person’s section with ***. 2) This is completely unedited. When you only have 15 minutes to write, you have no time to edit. So, in keeping with the live write concept, we have not edited this 1200 + word story.

I hope you enjoy this piece. Please leave comments and let us know how we did.

As always, until we meet again my friends, be kind to one another.

The Monster

By: Lisa Vasquez, Nick Paschall, Donelle Pardee Whiting, A.J. Brown

Victor sat in the library where the smell of books took over the room mingling with the smell of the burning logs in the fireplace. Since he was a child, this room held a mixture of emotions for him whenever he entered. Now, at the age of 81, the shadows crept over his features and deepened the lines of time as he stared at his reflection in the glass he was holding. ~A lifetime~ he thought to himself, ~A lifetime of searching, only to come up with baubles of the strange and macabre.~

Releasing a sigh, Victor stood up and downed the rest of his drink, letting the fiery liquid warm his throat and chest. He walked over to a display in the center of the room, the protective, glass casing illuminated by the overhead spotlight.

UnknownHe studied the diary of his great-great-great grandfather, handed down through the generations, until he knew every single word. ~At least, the ones not written in code.~

The breakthrough came when he stumbled across a man who used to work as a cryptographer in the military as a young man, and happened to have an old 16th Century French encryption book from the court of Henry II. He’d been trying to wheel and deal with Victor for pieces of his other collections for years to no avail. Seeing this as an opportunity, the other man could not contain his excitement.

“If I break this code for you,” Jacquis said looking over his bifocals at Victor, “you sell me the Coronation Charter of Henry I.”

Victor let out a single laugh, keeping his gaze fixed on Jacquis,

“You’re paying with money you do not have yet. Crack the code, and we’ll deal.”

Three months later, Victor had the identity of the man who possessed what he desired … the body of the “Family’s Monster.”

***

Entering the ancient woods of New England in Northern New York, Victor pulled his coat tighter to his frame as his carriage bumped along the road. Pulling a pocket watch, he stared at the hands and tapped the glass once or twice, just to make sure the damnable thing was working correctly!

“Hurry up you fool!” Victor shouted, leaning out the window to breathe in the clean air of the New World, the woods of Sleepy Hollow filling his lungs as a small herd of sheep moved down from a close by hill.

“We’re almost their sire,” Gris said, the low-born child stammered, his imperfect form of speech landing him as a hand servant to the Frankenstein family instead of an orator,

“We’re pulling in now.”

“Good,” Victor said, leaning back to pat the satchel of gold he’d brought along with him.

The man who owned the body of his great-grandfather’s experiment was none other than the detective Ichabod Crane, an elusive sort that’d gone missing after reporting to Sleepy Hollow. It had taken three lawyers to find him, and two more after that to arrange this meeting, but they were finally meeting in the Crowsreach Tavern in Sleepy Hollow, at Dusk on the 8th of July.

It would go flawlessly.

When the carriage pulled to a stop, Victor waited a minute before his door was opened, Gris standing beside it with his mop of blonde hair glistening with sweat.

“Clean yourself up boy and be sure to bring in the payment when I call for you,” Victor said.

Gris nodded, walking behind Victor to go and set up the horses for feeding and bedding down for the night.

Opening the door, Victor scanned the crowd and was instantly attracted to a pair of dark eyes.

Ichabod Crane.

***

Ichabod Crane locked eyes with Victor, daring the older man to look away. He knew why he was there. He wanted Ichabod’s prize. He needed the monster. Victor doesn’t need it, Crane thought.

Maintaining a casual appearance, Crane walked over to greet his guest. He only invited the foreigner to his home because his letter said he had something of great interest to offer.

“You must be the detective, Ichabod Crane I heard so much about,” Victor said, presenting his hand in greeting.

i_640x503_361846397Crane glanced at Victor’s hand before offering his own. “I am. And you must be Victor Frankenstein. I heard a lot about your work.” Crane looked over Victor’s shoulder to see Gris standing there bouncing from one foot to other. “Your … man … can wait with the horses. I don’t expect this to take long.”

With a backward flick of his eyes, Victor tilted his head to tell Gris to move out of Crane’s line of sight.

“Of course. But I do think this will interest you.” The aged collector bent down to pick up the bundle at his feet. “Where should we go to discuss this rare find?”

Crane led Victor the library to the right of the entry hall. As they entered, Victor looked around at the deep mahogany floor with a quality Oriental rug in front of the fireplace between two deep cushioned pub chairs. The table between the chairs was empty.

“I moved the decanter to the side board. You can put … whatever it is there.”

Crane walked casually to the sideboard. Would you care for a sherry? Or a brandy? I am afraid I do not have anything stronger.”

“A brandy would be welcome on a cold night like this.” Victor moved to the empty table and set the bundle down. He turned his heavy ruby ring as he watched Crane pour the dark amber liquid into snifters.

***

It wasn’t long before they discussed the deal.

“You have the Monster,” Victor said.

“I do.”

“It belongs to my family.”

“It belongs to me.”

“I’m offering you a thousand gold coins, Mr. Crane, for the Monster.”

Ichabod let out a humorless laugh. “Not even a million gold coins will get you the monster.”

“Let’s be fair, Crane.”

“Let’s be leaving, Victor.”

With that Victor flashed him an angry glance, nodded and turned to leave.

“Nice doing business with you, Frankenstein.”

Victor said nothing, as he left, leaving the gold coins behind.

At the carriage, he motioned for Gris. “I thought this would happen. You know what you must do?”

“Yes, Master,” Gris said. A crooked smile crossed his face.

Victor climbed atop the carriage to the driver’s seat and snapped the reigns. The horses started forward.

Gris walked away, with papers in hand. As he passed strangers on the street, he handed the papers to them.

“The Horseman’s Head?” One man asked. “You’ve found then Horseman’s Head?”

Ichabod heard the clamor and went outside.

“Excuse me, Boy? Come here.”

Gris did as he was told.

“What is this about the Horseman’s Head?”

Gris extended one of the papers to Ichabod, who snatched it and stared wearily at the odd boy. He read the few words on it.

“Where is this?” he asked.

“At the manor across the way.” He pointed down the road.

Ichabod turned and went back inside.

Barely ten minutes passed and Crane was on his horse and heading to the manor a few miles away. As he did so, he passed a darkened carriage hiding in the woods.

Victor smiled, lashed the horses into motion and made his way back to Ichabod’s home. There, in the basement, he found the monster.

“It’s time to come home, my child,” he said as he opened the cage the monster was in.

For the better part of the last seventeen months I’ve gotten to work with Lisa Vasquez, owner of Stitched Smile Publications, graphic designer and author. She’s witty and funny and believes in shenanigans. She is also hard working, dedicated and determined. I think this is why we get along, even though our personalities should clash.

Back in January, Lisa released her novel, The Unfleshed. Recently, I sat down to talk with Lisa about the new novel, among other things.

AJ: Before we get into the nitty gritty, tell us a little bit about Lisa Vasquez, the person.

LV: That’s the question I dread the most when doing interviews. I often put myself into separate boxes.

Lisa, the author, has been writing since she was in the 4th grade. My debut book, The Unsaintly, was released a few years ago and is my favorite work because it was my first published accomplishment. I just released my new novel, The Unfleshed this year and I’m currently working on my next novel as well as a few short stories.

Lisa, the book cover designer, has been doing covers for three years and it’s one of my favorite hobbies-turned-professions.

Lisa, the publisher, began her company in January of 2016 and is proud to say we have doubled our growth since then. We have amazing staff and authors. I love what the company stands for and how we support indie authors and help them learn to improve their craft and build their business.

AJ: That is a lot of Lisa! I would actually like to talk about Lisa, the author, for now. You said you started writing in the fourth grade? How did that come about?

LV: I had this teacher who was awesome. She engaged us and did all she could to spark a real love of reading. We did fun activities like completing stories when given the opening paragraph, doing stories from pictures (what’s going on here?) and then sometimes we did skits. I was in love with the whole process and in seeing what my fellow budding authors came up with.

So a shout out, if she ever sees it, to Mrs. Reese!

AJ: Do you remember the first story you wrote?

LV: Unfortunately, I don’t. I couldn’t even tell you what it was about.

AJ: Boy do I know that. I can’t recall the first story I wrote in school either, but that was because I hated writing back then. Now I wish I had been a better student.

Let’s talk The Unfleshed. What was the inspiration for this story?

51m6V9lTKQLLV: The Unfleshed was inspired by a few things. One of the important influences was Frankenstein (which led into Bride of Frankenstein). In the front of the book, I go into the story of how my father and I sat watching it after he had become ill with renal failure. They added him onto the transplant list and it suddenly became this dark blanket over our family.

Back then we had no internet so it was a time of reading thick medical books. We were pretty young at the time, I think I was about 13 (I’m the oldest).

My dad always used opportunities like this to talk to us about things. Comparing situations from movies or songs to real life scenarios. It was a cool way to open doors of discussion that might have been awkward or avoided otherwise. So we’re there and we’re watching, and he says, “Who would’ve thought when Mary Shelley wrote this, that one day taking body parts from people who died would give life to someone else? And that someday this wouldn’t be science fiction, but reality?” And it stayed with me every single day until today. It probably always will.

AJ: Parental lessons, especially given in this manner, always seem to stick the most. Having read The Unfleshed, I really want to know where Angus Wulfe came from.

LV: Angus came from a dark place. All my characters come from my head but this was me vs me. I tackled some heavy issues I won’t go into publicly. He also came from my love of Thomas Harris’ character, Hannibal Lecter. Somehow, this vile human was loved as much as he was hated. I wanted to be able to expose that in this story. The psychology of how we can empathize, even with monsters.

AJ: You put Angus through a hellacious childhood that we only get to see a glimpse of. I know this is part of character building, but at any point did you look at young Angus as a little boy and wonder, ‘why the heck am I doing this to him?’

LV: No, because that is reality. In order for the reader to relate, I have to make it real.

AJ: Oh absolutely. I have to ask this since you brought up Frankenstein: when The Unfleshed was published, did you scream, “It’s Alive! It’s Alive!”?

LV: Damn right! haha!

AJ: Hahahahahaha. Did you enjoy the … umm … how do I put this … the scenes where Angus inflicted his doctorly will on his patients?

LV: Actually, I did. I have to admit there was a tiny, evil giggle during those scenes. I might have some issues. That’s between us, though.

AJ: Us and all the readers out there. My favorite character in the book was actually a secondary character. Marshall. Tell me a little about him and where he came from.

LV: Oh yes, poor Marshall. Marshall is the balance in the story. No one is “all bad” and no one is “all good” in life. Some may come close, but to me, I feel like life puts us in situations and really tests our moral compass. If Angus hadn’t gone through his childhood, he might be Marshall, and vice versa. I like having a complex but balanced story that explores human nature. Marshall is “the conscience” in the story.

AJ: Marshall reminded me of Renfield from Dracula, but a little more tragic.

LV: He does kind of remind me of him in a way.

AJ: How long did you work on The Unfleshed?

LV: Hmm … well I wrote The Unfleshed as a short story back in early 2000. It was much different then. I changed it around because I wanted to change up the “zombie” craze a little. I mean technically, Frankenstein could be a zombie! I liked the idea of it and ran with it. Instead of zombies walking around, we had Frankensteins. It took a year to rewrite and about a year to polish it up.

AJ: A lot of The Unfleshed is steeped in history and in the medical field. Is that a direct relation to what went on with your father during your childhood?

LV: It did, but it didn’t seem realistic to have like … say a baker bringing people back to life. It had to be something believable. Since it’s set back in the 1300’s, there wasn’t education like there is today. When you were old enough to walk, you were old enough to work. But having the experience of my dad being sick and having an education in the sciences, it directly influenced the story.

AJ: Speaking of the setting, why did you set it back in the 1300s?

LV: Well it was the time of the plague for one. And secondly, I love time pieces. I love anything medieval or historical. They’re very interesting times.

AJ: Speaking of historical, you have another book titled, Unsaintly, that is somewhat historical as well. Tell us a little about this one.

LV: Unsaintly is a book about good and evil and everything in between. It’s spiritual, fantastical, and horror altogether.

AJ: Now, that one took you a little longer to write than The Unfleshed, right?

LV: Unsaintly took me ten years to write! Haha, so yes, a little longer

AJ: Ten years? Wow, that is a long time.

LV: Most of it was self doubt. The other part consisted of research and computer crashes

AJ: Computer crashes suck. So, Lisa, tell me, if you can, what do you want the readers to come away with from The Unfleshed?

LV: I’d like them to love the characters and enjoy the story. I hope they understand the complexities of the characters while getting a good old fashioned horror story. And finally, I hope I gave readers who enjoy the classics (Frankenstein, Dracula, etc.) something special.

AJ: Fair enough. Before I let you go, tell me what does the future hold for Lisa Vasquez, writer?

LV: More writing. As long as there is a story to be told I’ll be letting the demons out. I have a female assassin who’s getting antsy to be heard. She’s been in there longer than Unsaintly. And my Viking Werewolves are pacing their cages.

AJ: Very nice, Lisa. Very nice. I’m going to let you go now, but do you mind telling the readers where they can find you and your work?

LV: Sure!

Twitter: unsaintly

Instagram: unsaintly

Lisa Vasquez on Facebook

Unsaintly Website

And of course  Stitched Smile Publications Website

You can find The Unfleshed on Amazon here.

Back in October, Cate and I attended a festival in Beaufort (South Carolina). Though it was only a one day affair, Cate and I made it a weekend get-away with no children. After the festival we went to the house we were staying in and settled in for the evening. Before I went to bed that night I checked the good old Facebook (don’t judge me, you do it, too). While scrolling through posts about politics, religion, kittens, memes and some book-related things, I came across one that simply read something about someone’s book being published by Stitched Smile Publications.

I had never heard of that publisher before. I took out a pen and wrote these words: Research Stitched Smile Publications.

After arriving home the next afternoon, I sat at the computer and started researching. I found a Facebook page and a website that was in the process of being built.

During the information gathering, I came to realize Lisa Vasquez was associated with SSP. I contacted her, and guess what I found out? She wasn’t just associated with SSP, she was the founder. Being that I know Lisa works very hard at everything she does, I wanted to interview her and learn a little bit more about Stitched Smile Publications.

Let’s hop right in, why don’t we?

AJ: Lisa, not too long ago you made a decision to open a publishing house. What led you to do this?

LV: I’ve been sitting on the idea for quite some time but I think the fact that I didn’t know the ins-and-outs sort of held me back. Which is a good thing, I think, because I sat back and learned and did my time behind the scenes. As an author, I understand the pain of wanting to put your work out and having more control over what happens to it. An author’s choices are:
1. Submit to a “Big House” Publisher and hope for the best.
2. Submit to an indie publisher and hope they don’t get screwed over.
3. Publish it themselves.
The problem with publishing it yourself is not having the skills to wear all the hats necessary. I used my own book as a guinea pig, helped and volunteered whenever I could, and then finally felt confident that I could do it. That’s when Stitched Smile was born!

AJ: When you say you sat back and learned, what do you mean?

LV: I have a background in graphics and have been doing it for about 20 years for various industries. Printing, however, is so much different. If you don’t know about dpi and bleeds, you kind of spend a lot of time tossing things out that you spent hours on. So that was the first thing I tackled, because let’s face it, people do judge a book by its cover.

The second thing was learning about the industry itself. What publishers were doing that were good, and what they were doing that left room for improvement. What I found was a lack of author focus and development. The author ended up losing their identity in a lot of cases or just became a “new release”. Fans love to know things about the author and engage with them. There were other things like contracts, distribution, and marketing. I did a lot of promotional work but the book world is its own animal. Same basic concepts but different language.

AJ: How did you go about learning the things you needed to in order to feel confident in starting Stitched Smile Publications?

LV: I asked a lot of questions, trial and error, talking to others in the industry with more experience, and then I took on a position with another publisher (Burning Willow Press) as their Design Manager and got to see firsthand how it was done in real time. I applied what I knew, added what I didn’t, did a lot of trial and error with my own book, which I still continue to do, and then realized my approach was definitely unique and had some good results. I set money aside and then dove into it.

I think you just come to that moment where you feel like the only way you’re going to know if you got it is if you try it. I love what I do, and I love helping people and that added the final touch to my decision. If you don’t love what you do, you’ll never give 100%. That’s how I decided to just put my ducks in a row and start the process. I had the support of my amazing staff who got the word out, and then Jackie Chin teamed up with me and things rolled without much effort. We all knew we had a winning formula.

AJ: Sounds like you’ve done your homework. Where did the name Stitched Smile Publication come from?

LV: I wanted to branch out from my normal “persona”. I had Darque Halo Designs, and I always used wings or a halo as a brand. I wanted something that was reflective of this other side of me. It’s dark, it’s scary. It was a smile…with the darker element added to it. I don’t think there’s anything more unsettling than a maniacal grin. Since the publishing company specializes in dark content, I wanted something that appealed to both men and women. And one that would appeal to the reader. So I sat there and thought, ‘what would be the epitome of this?’ Well, one of my favorite characters is The Joker. His most memorable feature is his grin. It hit me right then that this is what I was looking for.

AJ: My favorite bad guy of all time is The Joker, and his smile is what people remember about him. I like the name and the logo. I think it fits.

LV: Thank you!

AJ: How did Jackie Chin come to be on your staff?

LV: Jackie and I were friends previous to this. I designed her new logo for her. We bonded rather quickly and she had me on her show, Zombiepalooza Radio. From there we just kept talking and when I told her what I was doing she sat back and watched me. One day she grilled the HECK out of me—which I loved because it showed me that I was really ready for this.

Then she asked, “I want to be involved, what can I do?” Now see, this was a scary decision because I love that woman and I respect her, so now the stakes were high because I didn’t want to let anyone down but least of all her because she’d done a lot for me and I know others had taken what she’d done for granted. Slowly, we began formulating an approach for marketing and I just let her run with it. Since that first day, she’s really put her heart into it and I’m happy to say she feels like it’s her home, as well. I couldn’t be more excited that she believes in us.

AJ: I’ve listened and watched Zombiepalooza Radio and I think she does a great job. She’s also quite intimidating, but she seems to have a heart of gold.

LV: Jackie is a go-getter. She’s a strong woman and knows her stuff. She comes off as hard, but she is focused and knows exactly where she wants to go.

AJ: One or two more questions and I’ll let you get back to work. I’m a writer. What do you have to offer me that other small presses (or even larger ones) cannot?

LV: What Stitched Smile Publications offers is a personalized plan for each author. We find out what they are great at and what they aren’t so great at and we build up the weaknesses so that they are a well-rounded author. Let’s face it, you have got to sell your book. It’s a product. Some people don’t think they can sell anything but in reality, anyone can sell.

What we do is take away the “car salesman” selling and teach them how to just do what they love. Work their personality into the marketing and put it out there. We also allow authors that have the skills to format their books, or design their own covers, a higher portion of the royalties. Finally, we have Jackie’s radio show. So now we’re reaching a global network with numbers that are nearly unattainable in the conventional way. We aren’t spamming the link to amazon on every Facebook group we can join, we’re inviting the readers to come to us.

Other than that, we have a badass team who are loyal and sincere in their intentions. We hold weekly meetings and allow the authors to attend. Everyone is an equal and every person’s ideas are considered when we brainstorm. There’s no one more important than the author. If the author isn’t happy, you aren’t going to have a productive relationship. It’s like a marriage. If one person isn’t happy they’re going to be looking for a way out. When we put a ring on it, we try to keep the honeymoon going!

AJ: That is an awesome way to go at it, one I am not sure I have seen or heard from any other publisher.

One last thing: Lisa, where can writers and readers find out more about SSP?

LV: We have a couple websites. The first one is the Stitched Smiles Publication Website. This is our landing site and a good place to start. In addition to that we have our SSP on Word Press where every staff member is allowed to post, including the authors! So potential readers get a place to learn about the authors, what they’re like and what’s in the future for them. And finally, we are on Facebook, Twitter, and Instagram.

AJ: Lisa Vasquez, thank you for your time. I’m sure you and your staff are going places

LV: Thank you, Jeff, for talking with me. It’s been fun!

AJ: Yes, it has.